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Phoenix Audio Nicerizer Junior - 16 Channel DAW Summing Mixer

REP1140768 0757440437391 REP1140768

Phoenix Audio Technologies

Phoenix Audio Technologies
2025-05-19 USD 2910.83

$ 2,910.83 $ 3,000.86

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Phoenix Audio Nicerizer Junior - 16 Channel DAW Summing Mixer
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Brand Phoenix Audio
Accessory Type Other
Weight 21.8
Discerning engineers won t settle for in-the-box mixing when the dimension, punch, and articulation of analog summing can vastly improve their productions. Phoenix s Nicerizer series summing mixers incorporate features and circuitry that have made it a legendary tone machine. A Summing Mixer (not Amplifier) The Nicerizer is a true mixer, with precision, dented pan knobs on each of the 16 channels. These dented pan-pots are unmatched for both precision stereo placement and ease of recall, and they are a key ingredient the huge, open sound of the Nicerizer. Driving a Versatile, Class-A Input CircuitTransformers slow things down, which can be great in some cases, but if you re stuck with transformers, then you re stuck with slower transients (slew-rates).

The Nicerizer Jr. s electronically balanced input stage can be driven modestly for ultra-clear hi-fi sound, or you can engage a +8db switch on any channel individually to drive the circuit for a fatter, more saturated sound that only Discrete Class-A buffer amps can deliver. Legendary Transformer-Balanced Output StageOnce mixed, the stereo signal hits a pair of custom-wound DB694 output transformers, which have been coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. Even better, on the Nicerizer Jr. Phoenix gives you a pair of stereo main outputs, each with its own level control.

The DSOP-2 represents the pinnacle of Class-A output circuits, offering a smooth transition from ultra-clean to beautifully saturated tones. Balanced, UnbalancedThe Nicerizer s 16 individual inputs can accept both balanced and unbalanced signals without any of the gain loss typical on most mixer inputs. This is an increasingly useful feature as looping through guitar pedals and even recording midi-driven analog synths in real time while mixing are fast becoming standard practices.

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