RME Fireface UCX USB and FireWire Audio Interface
36-Channel, 192 kHz USB & FireWire Audio Interface, 9 1/2 in., 1RU
RME ARC-USB USB Remote for Fireface UFX+
The RME ARC-USB is a wired remote designed for direct access to the most frequently used actions and commands of TotalMix FX, an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real world situations.UPC:615435498102SKU:ADIB0732D48H9
RME QuadMic II 4-Channel Microphone Preamp
The QuadMic II from RME is a professional four channel analog microphone preamp that is designed to deliver pristine and clear signal quality for demanding studio recordings. The unit features low power operation and can be run using the included switching power supply, or by batteries by using the optional battery pack cable. This makes it suitable for field and studio use alike. Each of the four channels are equipped with balanced XLR/TRS combo mic/line inputs with switchable 48V phantom power, phase flip and a low cut filter at 80 Hz, 18 dB per octave. Each channel features LED indicators for signal presence, clip, and phantom power and a gain knob that can be set from +6 dB to +60 dB. There are also four 1/4" TRS line level outputs located in the back of the unit. Box Contains RME QuadMic II 4-Channel Microphone Preamp 6-Month Warranty
RME AVB Tool Mic Preamp, Router, and Converter
The RME AVB Tool is a tool that takes four analog audio sources and converts them to digital signals that can be streamed over Ethernet AVB or MADI. It offers four XLR-1/4" inputs that can accommodate signals from Hi-Z instruments, microphones, and line-level sources. It also offers two 1/4" line outputs and a headphone output. On the digital side, you'll find MADI offered over BNC or optical (over SFP) connections, as well as an Ethernet port for up to 128 channels of AVB. You'll also find clocking I/O over BNC connections. The analog section offers a professional, pristine sound, with up to 75 dB of gain in 1 dB steps, as well as an input line-level sensitivity of +18 dBu. Each input can be switched to handle signal from DI guitars, line-level keyboards, or microphones. On the AVB side, you can make use of eight streams in AM824 or AAF formats. The two MADI sections can run independently, or can be mirrored to facilitate redundancy. You can control the unit from the intuitive front panel, which offers a prominent encoder knob and multiple buttons. However, you can also control the unit over any network, wired or wireless, using RME's web-interface control. A power supply is included. Box Contains RME AVB Tool Mic Preamp, Router, and Converter Power Supply 2-Year Warranty
RME Digiface USB Portable Digital Audio Interface
RME Digiface USB Portable Digital Audio Interface condition: New Brand: RME MPN: DFUSB
RME Babyface Pro Audio Interface . FREE Tascam TH02
RME’s professional audio interface Babyface Pro gets a bit of an update. With superior attention to detail and craftsmanship, the new Babyface Pro is created with the highest precision carved from a block of aluminum. Portable, but extremely high-end, this 24-channel USB 2.0 audio interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.For the main I/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, o?ering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use. Even in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.Babyface Pro’s two digitally controlled preamps provide individually switchable 48V phantom power. These brand new circuits feature gain of up to 70 dB, adjustable in steps of 3 dB, plus a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.Latest generation low latency AD/DA converters, combined with RME’s unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.Babyface Pro’s incredibly e?cient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favorite condenser microphones.Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
RME 12MIC | Preamp for Audio Networks | Pro Audio LA
RME 12MIC | Preamp for Audio Networks | Pro Audio LA condition: New Model: 12MICMPN: Does Not ApplyBrand: RMEType: Preamp for Audio Networks
RME 12Mic Mic- and Line-Level Preamp for Audio Networks
Designed to provide professional audio over digital networks, the RME 12 Mic offers 12 channels of high-quality audio microphone preamps with MADI and ABV connections. You get preamps for mic, line-level, and instrument sources; preamps that can output digitally through a variety of different connections. It does this in a compact 1 RU housing and with the ability to control all of its routing capabilities wirelessly when configured into a wireless network. Each of its 12 pad-free input stages offer a 75 dB range of transparent gain. You'll find four combination XLR-1/4" inputs and eight XLR inputs. Selecting among line level, mic level, or instrument level is made possible by the front-panel control menu or can be done wirelessly on any network link via the web interface. On the digital side, you'll find BNC MADI I/O, three ADAT ports, MADI via an integrated SFP module, USB connectivity, and two Ethernet ports for AVB networking. MADI can be implemented for independent or redundant operation. The Ethernet ports are fully redundant. Any signal can be routed over a network with a fixed latency to ensure steady playback. RME's SteadyClock FS also ensures precise synchronization among elements, giving you a performance free from jitter so your audio is as clear as it can be. The unit also features a redundant power supplies: use the DC input and the IEC VAC input, ensuring that accidental disconnection of either won't cause the 12Mic to shut off. The pad-free microphone input stages have a gain range of 75 dB, and accept signals of up to +18 dBu. On the conversion side, the unit provides a signal-to-noise ratio of 121.2 dBA on all channels. All twelve front-facing XLR connections accept microphone and line level signals, while the first four connections also accept TRS connectors, with a switchable impedance for instruments. The RME 12Mic offers twelve microphone and line-level inputs with studio-quality digital conversion, remote-controllable gains, and integrated MADI and AVB connectivity. Box Contains RME 12Mic Mic- and Line-Level Preamp for Audio Networks 2-Year Warranty
RME Fireface 802 USB and Firewire Audio Interface #FF802
Musikmesse 2014: The Fireface 802 renews RME's reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features: Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME's unique DIGICheck metering and analysis toolbox and identical operation on Windows PC and Mac. TotalMix FX, RME's digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller. The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 from the iPad, without any computer. The Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19" enclosure. Inputs and Outputs The Fireface 802 provides 60 channels of audio: 30 input and 30 output channels. All inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 tracks separately. Analog I/O The Fireface 802 has 12 analog I/Os. 12 Inputs: 8 balanced TRS on the back and 4 XLR inputs with Mic/Instrument preamps on the front. 12 Outputs: On the rear: 8 balanced TRS. On the front: Two hi-power TRS stereo phones outputs provide high volumes even with hi-impedance headphones. Sound Quality: It combines excellent analog circuit design with latest digital conversion technology. All balanced TRS & XLR I/Os as well as the two phones outputs offer outstanding low noise and distortion values. Due to its efficient jitter reduction, RME's superior SteadyClock guarantees state-of-the-art AD/DA conversion, even when clocking to an external clock source. Every input and output is individually switchable to these common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale). All outputs can be used for ASIO Direct Monitoring (ADM) purposes. Preamps . for Microphones and Instruments with Low Latency Conversion The 802 has four high-transparency preamps, also with low latency converters. Microphone and instrument preamps of the 802 use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications. It offers extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. The pot-controlled gain of up to 60 dB, adjustable over a range of 54 dB, is individually set for every preamp on the front of the 802. The four inputs on the front use balanced XLR/TS combo sockets and operate alternatively as Hi-Z inputs. The Fireface 802 follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I/Os on the rear. AES/EBU: The Fireface 802 has one professional AES/EBU I/O operating at up to 192 kHz. ADAT: Two 8-channel ADAT I/Os allow for a connection of two additional AD/DA converters or the insertion of effects devices and mixing consoles. Both I/Os support sample rates at up to 192 kHz (S/MUX4). Like AES/EBU, these 16 ADAT channels are available simultaneously with the analog channels. SPDIF: The second ADAT I/O can be used as optical SPDIF I/O, making the Fireface 802 connections even more flexible.
RME Babyface Pro Audio Interface , W/ 4 XLR Cables.
RME’s professional audio interface Babyface Pro gets a bit of an update. With superior attention to detail and craftsmanship, the new Babyface Pro is created with the highest precision carved from a block of aluminum. Portable, but extremely high-end, this 24-channel USB 2.0 audio interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion. For the main I/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, o? ering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use. Even in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications. Babyface Pro’s two digitally controlled preamps provide individually switchable 48V phantom power. These brand new circuits feature gain of up to 70 dB, adjustable in steps of 3 dB, plus a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones. Latest generation low latency AD/DA converters, combined with RME’s unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals. Babyface Pro’s incredibly e? cient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favorite condenser microphones. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
RME M-1610 PRO | MADI Network I/O | Pro Audio LA
RME M-1610 PRO | MADI Network I/O | Pro Audio LA condition: New Model: M-1610 PROMPN: Does Not ApplyBrand: RMEType: MADI Network I/O
RME ARC USB Advanced Remote Control for TotalMix FX #ARC-USB
This wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real world situations.The ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system TotaIMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work. And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001! As soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX - and therefore also by the RME audio interface.With the UFX+ and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. This way of connecting is handy in stand-alone mode, where the ARC USB is also supported by the UFX+ and UFX II.The ARC USB is bus powered, but draws only little current. Also it uses USB 1.1 as bus standard, which these days is uncritical due to its lower frequency and speed demands. USB 2 cables with 5 meter to 10 meter length and cheap USB 2 cable extensions that usually make a bus-powered interface fail will work perfectly for the ARC USB. Still at higher lengths RME recommends to use active USB 2 cables (also called extension or repeater cables), which are not expensive and work over lengths of more than 20 meters.The ARC USB can control several interfaces simultaneously, which happens automatically as the Key Commands dialog in TotalMix FX is specific to the currently selected audio interface. Just assign only the functions that are desired for each respective interface. After that the ARC USB keys and the encoder wheel remote the respective interface where they have been assigned to, without the need to further switch or select anything in normal operation.
RME Fireface UC USB 2.0 High-Speed Audio Interface - New
RME Fireface UC USB 2.0 High-Speed Audio Interface - New condition: New Model: RMEADI2PROFSRBEMPN: UCBrand: RME
RME Digiface USB 66-Channel ADAT to USB Optical Audio Interface #DFUSB
RME Digiface USB 66-Channel ADAT to USB Optical Audio Interface
RME HDSP 9652 | 52-Channel ADAT PCI Card | Pro Audio LA
RME HDSP 9652 | 52-Channel ADAT PCI Card | Pro Audio LA condition: New Model: HDSP 9652 52-Channel ADAT PCI CardMPN: HDSP 9652Brand: RMEType: ADAT PCI Card
RME AVB TOOL | Router/Preamp/MADI-AVB Converter | Pro Audio LA
RME AVB TOOL | Router/Preamp/MADI-AVB Converter | Pro Audio LA condition: New Model: AVB TOOLMPN: Does Not ApplyBrand: RMEType: Router/Preamp/MADI-AVB Converter
RME HDSP 9632 | 32-Channel ADAT PCI Card | Pro Audio LA
RME HDSP 9632 | 32-Channel ADAT PCI Card | Pro Audio LA condition: New Model: HDSP 9632 32-Channel ADAT PCI CardMPN: HDSP 9632Brand: RMEType: ADAT PCI Card
RME Fireface 802 | 30-In/30-Out Hybrid USB/FireWire Audio Interface | PALA
RME Fireface 802 | 30-In/30-Out Hybrid USB/FireWire Audio Interface | PALA condition: New Model: Fireface 802 USB/Firewire InterfaceMPN: RME Fireface 802Brand: RMEType: USB/FireWire Audio Interface
RME MADI Router | 12 Port MADI Digital Patch Bay & Format Converter | PALA
RME MADI Router | 12 Port MADI Digital Patch Bay & Format Converter | PALA condition: New Model: RME MADI Router Digital Patch Bay & ConverterMPN: RME MADI RouterBrand: RMEType: MADI Router
RME MADI Converter | 2x6 Channel MADI Optical/Coaxial Converter | Pro Audio LA
RME MADI Converter | 2x6 Channel MADI Optical/Coaxial Converter | Pro Audio LA condition: New Model: MADI 2x6 Channel MADI Optical/Coaxial ConverterMPN: MADI ConverterBrand: RMEType: MADI Converter
RME HDSPe MADI FX | 390 Channel PCIe Audio Card | Pro Audio LA
RME HDSPe MADI FX | 390 Channel PCIe Audio Card | Pro Audio LA condition: New Model: HDSPe MADI FX - 390 Channel PCIe Audio CardMPN: HDSPe MADI FXBrand: RMEType: PCIe Card
RME Babyface Pro FS | 24-channel professional high-precision USB audio interface
RME Babyface Pro FS | 24-channel professional high-precision USB audio interface condition: New Model: Babyface Pro FSMPN: Does Not ApplyBrand: RMEType: USB Audio Interface
RME ADI-4 DD | 8 Ch. AES/EBU ADAT Converter | Pro Audio LA
RME ADI-4 DD | 8 Ch. AES/EBU ADAT Converter | Pro Audio LA condition: New Model: ADI-4 DD AES/EBU ADAT ConverterMPN: ADI-4 DDBrand: RMEType: 8 Ch. AES/EBU ADAT Converter
RME HDSPe Opto-X | Optional Expansion Board for HDSPe MADI FX | Pro Audio LA
RME HDSPe Opto-X | Optional Expansion Board for HDSPe MADI FX | Pro Audio LA condition: New Model: HDSPe Opto-XMPN: Does Not ApplyBrand: RMEType: Optional Expansion Board for HDSPe MADI FX
RME ADI-2 FS | 2-channel Hi-End AD/DA converter | Pro Audio LA
RME ADI-2 FS | 2-channel Hi-End AD/DA converter | Pro Audio LA condition: New Model: ADI-2 FSInterface Type: USB InterfaceMPN: Does Not ApplyBrand: RMEType: 2-channel Hi-End AD/DA converter
RME Fireface UC | 18-In/18-Out 24-bit/192kHz USB Audio Interface | Pro Audio LA
RME Fireface UC | 18-In/18-Out 24-bit/192kHz USB Audio Interface | Pro Audio LA condition: New Model: RME Fireface UC USB High Speed Audio InterfaceMPN: RME Fireface UCBrand: RMEType: USB High Speed Audio Interface
RME ADI-192 DD | 8 Ch. Universal Format & Sample Rate Converter | Pro Audio LA
RME ADI-192 DD | 8 Ch. Universal Format & Sample Rate Converter | Pro Audio LA condition: New Model: ADI-192 DD 8 Ch. Sample ConverterMPN: ADI-192 DDBrand: RMEType: 8 Ch. Universal Format & Sample Rate Converter
RME M-16 AD 16-Channel High-End Analog to MADI/ADAT Converter | Pro Audio LA
RME M-16 AD 16-Channel High-End Analog to MADI/ADAT Converter | Pro Audio LA condition: New Model: M-16 AD MADI/ADAT CoverterMPN: M-16 ADBrand: RMEType: MADI/ADAT Converter
RME I64 MADI | MADI Option Card for Micstasy/DMC-842 or ADI-8 QS | Pro Audio LA
RME I64 MADI | MADI Option Card for Micstasy/DMC-842 or ADI-8 QS | Pro Audio LA condition: New Model: I64 MADI MADI Card for Micstasy/DMC-842/ADI-8 QSMPN: MOC-M or MOC-QSBrand: RMEType: MADI Card
RME M-32 AD 32-Channel High-End Analog to MADI/ADAT Converter | Pro Audio LA
RME M-32 AD 32-Channel High-End Analog to MADI/ADAT Converter | Pro Audio LA condition: New Model: M-32 AD MADI/ADAT CoverterMPN: M-32 ADBrand: RMEType: MADI/ADAT Converter
RME M-16 DA 16-Channel High-End Analog to MADI/ADAT Converter | Pro Audio LA
RME M-16 DA 16-Channel High-End Analog to MADI/ADAT Converter | Pro Audio LA condition: New Model: M-16 DA MADI/ADAT CoverterMPN: M-16 DABrand: RMEType: MADI/ADAT Converter
RME MADIface USB | USB 2.0 Audio Interface with 2 x MADI I/O | Pro Audio LA
RME MADIface USB | USB 2.0 Audio Interface with 2 x MADI I/O | Pro Audio LA condition: New Model: RME MADIface USB Audio InterfaceMPN: RME MADIface USBBrand: RMEType: USB 2.0 Audio Interface
RME M-32 DA 32-Channel High-End Analog to MADI/ADAT Converter | Pro Audio LA
RME M-32 DA 32-Channel High-End Analog to MADI/ADAT Converter | Pro Audio LA condition: New Model: M-32 DA MADI/ADAT CoverterMPN: M-32 DABrand: RMEType: MADI/ADAT Converter
RME Fireface UCX | 8-Ch. Hybrid USB 2.0/USB 3/FireWire Audio Interface | PALA
RME Fireface UCX | 8-Ch. Hybrid USB 2.0/USB 3/FireWire Audio Interface | PALA condition: New Model: RME Fireface UCX Hybrid Audio InterfaceMPN: RME Fireface UCXBrand: RMEType: Hybrid USB 2.0/USB 3/FireWire Audio Interface
RME OctaMic XTC | 8 Ch. Digital Mic Preamp USB 2.0 Interface | Pro Audio LA
RME OctaMic XTC | 8 Ch. Digital Mic Preamp USB 2.0 Interface | Pro Audio LA condition: New Model: RME OctaMic XTC 8 Ch. Digital Mic Preamp USB 2.0MPN: RME OctaMic XTCBrand: RMEType: USB Audio Interface
RME ADI-2 PRO FS R | 2-channel high-performance 768 kHz AD/DA converter
RME ADI-2 PRO FS R | 2-channel high-performance 768 kHz AD/DA converter condition: New Model: ADI-2 PRO FS R BEInterface Type: USB InterfaceMPN: Does Not ApplyBrand: RMEType: 2-channel high-performance 768 kHz AD/DA converter
RME ADI-8 DS Mk III | 8 Ch. High-End AD/DA Converter & Digital Format Coverter
RME ADI-8 DS Mk III | 8 Ch. High-End AD/DA Converter & Digital Format Coverter condition: New Model: ADI-8 DS Mk III AD/DA ConverterMPN: ADI-8 DS Mk IIIBrand: RMEType: AD/DA Converter
RME ADI-8 QS | 8 Ch. 24 Bit/192 kHz Remote Controllable AD/DA Converter | PALA
RME ADI-8 QS | 8 Ch. 24 Bit/192 kHz Remote Controllable AD/DA Converter | PALA condition: New Model: RME ADI-8 QS AD/DA ConverterMPN: ADI8QSBrand: RMEType: AD/DA Converter
RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote (Black Edition)
Styled in a black finish, the RME ADI-2 Pro FSR BE is a versatile reference-class AD/DA converter that can be used as a USB audio interface, a USB DAC with Extreme Power headphone amplifiers, or as a format converter with digital monitoring. Housed in a compact, half-rack enclosure, it delivers pristine 32-bit / 768 kHz audio quality to audio engineers and audiophiles alike, for studio, home, and mobile applications, ranging from analog/digital recording, PCM/DSD recording and playback, precise audio measurements, or use as a high-fidelity front-end and headphone amp for iPhone/iPad or other mobile devices. The ADI-2 Pro FSR BE is equipped with six input sources and eight output paths for simultaneous 2-channel analog-to-digital input conversion and 4-channel digital-to-analog output conversion. The I/O options include two servo-balanced analog line inputs, two separate balanced and unbalanced analog outputs, one optical S/PDIF I/O, which also supports two channels of ADAT operation and via the included digital breakout cable, one coaxial S/PDIF I/O and one AES/EBU I/O. The unit supports all sample rates between 32 and 768 kHz and delivers a flat frequency response with an impressive 124 dBA signal-to-noise ratio. The company's SteadyClock technology efficiently suppresses jitter in all clock modes, ensuring that the AD/DA conversion's sonic quality remains consistent independently from the quality of the incoming clock signal. The two Extreme Power headphone outputs provide high-end monitoring options optimized for low- and high-impedance headphones. They feature an Advanced Balanced mode which delivers a balanced signal path from the DAC straight to the headphones with optimized frequency response and a maximum output level of +28 dBu. A powerful DSP adds all kinds of useful audio processing, including a 5-band parametric EQ, fast bass/treble adjustment, crossfeeding, and a sophisticated loudness function. The ADI-2 Pro FSR BE features a high-resolution ISP panel, which eases operation and displays signal metering of all I/Os, current digital states of S/PDIF, AES, USB, a 30-band analyzer, and more. The display features an AutoDark mode that automatically turns off all LEDs and the display after ten seconds of user inactivity. An included remote control provides access to 52 functions and commands. Box Contains RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote (Black Edition) External Power Supply Power Cord Digital Breakout Cable AES / S/PDIF (BO968) Remote Control 2-Year Warranty
RME ADI-642 | 24 Bit/192 kHz 2 x 8-channel MADI to AES/EBU Converter | PALA
RME ADI-642 | 24 Bit/192 kHz 2 x 8-channel MADI to AES/EBU Converter | PALA condition: New Model: ADI-642 MADI to AES/EBU ConverterMPN: ADI-642Brand: RMEType: MADI to AES/EBU Converter
RME ADI-6432 | 24 Bit/192 kHz 2 x 64-Channel MADI to AES/EBU Converter | PALA
RME ADI-6432 | 24 Bit/192 kHz 2 x 64-Channel MADI to AES/EBU Converter | PALA condition: New Model: ADI-6432 MADI to AES/EBU ConverterMPN: ADI-6432Brand: RMEType: MADI to AES/EBU Converter
RME MADIface XT | USB 3.0/2.0 Audio Interface with 2 x MADI I/O | Pro Audio LA
RME MADIface XT | USB 3.0/2.0 Audio Interface with 2 x MADI I/O | Pro Audio LA condition: New Model: MADIface XT USB Audio InterfaceMPN: RME MADIface XTBrand: RMEType: USB 3.0/2.0 Audio Interface
RME ADI-2 DAC FS PCM/DSD 768 kHz Signal Converter with AKG K240 Studio Pro Headphones & XLR Cable Bundle
The RME ADI-2 DAC FS Bundle is a two-channel digital-to-analog converter for the discerning audiophile or engineer. It offers 32-bit conversion up to 768 kHz, making it compatible with high-resolution PCM formats and even DSD256. Additionally, the ADI-2 is compatible with iOS devices with apposite adapters, so you can enjoy audio streamed off your tablet or iPhone in a high-quality manner. For connections, the ADI-2 DAC FS offers stereo RCA outputs, stereo XLR connections, a 1/4" headphone output, and a low-noise IEM output. You can feed digital signal to the unit over USB, S/PDIF coaxial, S/PDIF Optical, or ADAT. The built-in headphone amplifier provides low THD values even with 32- or 16-Ohm headphones, ensuring a transparent and crystal-clear sound. Onboard DSP allows you to dial in crossfeed, or instantiate a precise EQ for your exact predilections. This DSP also offers other features, such as a loudness contour reminiscent of old HiFi systems, and M/S encoding or decoding. This bundle includes a K 240 Studio headphones from AKG feature a semi-open circumaural design, and use patented Varimotion technology and extra-large transducers to deliver extremely precise, detailed sound. Headphones have a self-adjusting headband, as well as thick around-ear cushions for lasting comfort. The single-sided detachable straight cable resists tangles and can be easily replaced. The cable has a gold-plated 3.5 mm plug with a 1/4" screw-on adapter to provide wide compatibility with consumer and professional audio devices. Plus XLR-XLR Cable. Box Contains RME ADI-2 DAC FS PCM/DSD 768 kHz Signal Converter Remote Control with Battery External Power Supply Power Cord USB Cable 2-Year Warranty AKG K 240 Studio Pro Stereo Headphones Gold-Plated 1/4" Adapter Detachable Cable 2-Year Warranty
RME ADI-2 DAC FS Ultra-Fidelity PCM/DSD DA Converter with AKG K240 Studio Pro Headphones & 10-Pack Straps Bundle
The RME ADI-2 DAC FS Bundle is a two-channel digital-to-analog converter for the discerning audiophile or engineer. It offers 32-bit conversion up to 768 kHz, making it compatible with high-resolution PCM formats and even DSD256. Additionally, the ADI-2 is compatible with iOS devices with apposite adapters, so you can enjoy audio streamed off your tablet or iPhone in a high-quality manner. For connections, the ADI-2 DAC FS offers stereo RCA outputs, stereo XLR connections, a 1/4" headphone output, and a low-noise IEM output. You can feed digital signal to the unit over USB, S/PDIF coaxial, S/PDIF Optical, or ADAT. The built-in headphone amplifier provides low THD values even with 32- or 16-Ohm headphones, ensuring a transparent and crystal-clear sound. Onboard DSP allows you to dial in crossfeed, or instantiate a precise EQ for your exact predilections. This DSP also offers other features, such as a loudness contour reminiscent of old HiFi systems, and M/S encoding or decoding. This bundle includes a K 240 Studio headphones from AKG feature a semi-open circumaural design, and use patented Varimotion technology and extra-large transducers to deliver extremely precise, detailed sound. Headphones have a self-adjusting headband, as well as thick around-ear cushions for lasting comfort. The single-sided detachable straight cable resists tangles and can be easily replaced. The cable has a gold-plated 3.5 mm plug with a 1/4" screw-on adapter to provide wide compatibility with consumer and professional audio devices. Plus a 10-Pack Straps. Box Contains RME ADI-2 DAC FS Ultra-Fidelity PCM/DSD DA Converter Remote Control with Battery External Power Supply Power Cord USB Cable 10-Pack Straps 2-Year Warranty AKG K 240 Studio Pro Stereo Headphones Gold-Plated 1/4" Adapter Detachable Cable
RME ADI-2 DAC FS Ultra-Fidelity PCM/DSD DA Converter with KRK ROKIT 5 G4 5" Studio Monitor (Pair) & 2x XLR Cable Bundle
The RME ADI-2 DAC FS Bundle is a two-channel digital-to-analog converter for the discerning audiophile or engineer. It offers 32-bit conversion up to 768 kHz, making it compatible with high-resolution PCM formats and even DSD256. Additionally, the ADI-2 is compatible with iOS devices with apposite adapters, so you can enjoy audio streamed off your tablet or iPhone in a high-quality manner. For connections, the ADI-2 DAC FS offers stereo RCA outputs, stereo XLR connections, a 1/4" headphone output, and a low-noise IEM output. You can feed digital signal to the unit over USB, S/PDIF coaxial, S/PDIF Optical, or ADAT. The built-in headphone amplifier provides low THD values even with 32- or 16-Ohm headphones, ensuring a transparent and crystal-clear sound. Onboard DSP allows you to dial in crossfeed, or instantiate a precise EQ for your exact predilections. This DSP also offers other features, such as a loudness contour reminiscent of old HiFi systems, and M/S encoding or decoding. This bundle includes a Pair of G4 ROKIT 5" 2-Way Active Studio Monitor from KRK is the latest model from their popular monitor series. The ROKIT Generation 4 (G4) has been re-engineered from the ground up and offers updated features such as DSP-driven room tuning with 25 graphic EQ settings. Plus two pieces of XLR-XLR cable. Box Contains RME ADI-2 DAC FS Ultra-Fidelity PCM/DSD DA Converter Remote Control with Battery External Power Supply Power Cord USB Cable (2) XLR-XLR Cable 2-Year Warranty KRK ROKIT 5 G4 5" 2-Way Active Studio Monitor (Pair) AC Power Cord 3-Year Warranty
Ferrofish B4000+ Authentic Organ Sound Module with MIDI-MIDI Cable Bundle
The B4000+ Bundle packs the legendary Hammond B3 organ into an ultra compact box. Nobody would build a guitar without a neck, without it, it just will not work. That’s why we’ve developed the B4000+, with nine drawbars: to touch, to screw, but most important: to play! Based on one of the best and most powerful digital signal processors on the market, the Sharc DSP by Analog Devices, the sound and warmth of the B3 has been carefully recreated down to the last detail – with all the electrical and mechanical inefficiencies that made the instrument a legend. Just as the real organ with voluminous bass belly, defined mids and indispensable “scream” in the heights: the authentic sound of a living electromechanical B3. The B4000+ simulates all 91 Tonewheels, if desired, with crosstalk, and mechanical wear. All of course fully polyphonic, with scanner vibrato, tube amp and reverb, and not to forget the legendary Leslie. Everything perfectly simulated and adjusted. Only the weight of the original B3 we have reduced a bit. Two keyboards can be directly connected to the MIDI ports of the B4000+ without a MIDI merger, for playing both the upper and lower manual. For a full featured B3 simulation, a pedal manual can added too, making up to three manuals that can be played simultanously, with full polyphony. A pedal can be added for external volume control, also a switch for sustain or rotary speed control. If only one keyboard is used, its still possible to play two manuals by using the internal split mode. MIDI data is also transferred via USB, to record the MIDI data to the sequencer, or for playback from sequencer. Plus a 5' MIDI-MIDI cable. Box Contains Ferrofish B4000+ Authentic Organ Sound Module External Power Supply USB Cable 5' MIDI-MIDI Cable 2-Year Warranty
