Buy Death By Audio Products online in United States

death by audio echo dream ii

$ 596.69 $ 615.14

death by audio apocalypse distortion & fuzz

$ 655.23 $ 661.85

death by audio reverberation machine effect pedal

$ 550.12 $ 555.68

Death By Audio - Micro Harmonic Transformer Fuzz

$ 601.19 $ 613.46

death by audio fuzz war effect pedal

$ 440.98 $ 445.43

death by audio absolute destruction fuzz pedal

$ 445.00 $ 449.49

Death by Audio ROOMS Stereo, Multi Function Digital…

$ 1,187.67 $ 1,211.91

Death By Audio Interstellar Overdriver Deluxe EFFECTS -…

$ 962.75 $ 982.40

Death By Audio Absolute Destruction Fuzz PEDAL -…

$ 536.80 $ 553.40

Death By Audio Evil Filter Pedal EFFECTS -…

$ 1,153.07 $ 1,164.72

Death By Audio Total Sonic Annihilation 2 Fuzz…

$ 760.22 $ 767.90

Death by Audio TSA 2 Total Sonic Annihilation…

$ 949.23 $ 958.82

death by audio echo dream 2 delay pedal…

$ 680.89 $ 687.77

DEATH BY AUDIO Fuzz War Effects Pedal Silver

$ 374.52 $ 386.10

Dimensions (Overall): 6.75 inches (L), 3.5 inches (H) x 5.3 inches (W) x 6.75 inches (D)Weight: 1.46 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery) & bull; Current Draw: 5.8 mA & bull; Dimensions: 5.87" x 4.72" x 2.46" (including hardware) & bull; Weight: 20 ozThe Death By Audio Apocalypse fuzz effects pedal is a jack of all trades with its impressive tonal versatility. After being dramatically overdriven, the signal is routed to a selectable post-amplifier. The user can toggle through its five signal paths and choose their desired apocalyptic sound. To further refine it, control the sweepable frequency equalizer and design tone to liking. Use this pedal as a boost for solos, an amp simulated recording DI, main sound, a bass blitzer, or run anything into it want to beef up, blast out, or supercharge. Controls Twin-T Scoop: A circuit adding bass and treble simultaneously. Quieter volume than the rest. War Fuzz: A very full and dynamic distortion with rich harmonics and sustain. Dual J-FET: Similar to the War Fuzz setting using dual J-FETs to get its sound. Octave Rect: Sums the bottom and top halves of a waveform to create an octave up. Gain x1000: The gain is cranked super high on this post amp causing erratic results. Vol: Adjusts the output volume of the pedal. Drive: Controls the volume of the initial preamp inside the pedal. Turn it up to get more distortion and fuzz or pull it back to get cleaner overdrives and boosts. Sweepable Frequency Equalizer: This is a special tone knob designed to function as a multitude of tone controls simultaneously . Its range is extreme, starting with a bass booster that fades into a mid scoop, followed by a mid boost, and eventually into a few stages of treble-boosting to give a beautiful bright sound.

DEATH BY AUDIO Apocalypse Fuzz Effects Pedal Pale…

$ 567.57 $ 579.15

DEATH BY AUDIO Reverberation Machine Reverb Effects Pedal…

$ 458.50 $ 482.63

Dimensions (Overall): 6.8 inches (L), 3.4 inches (H) x 5.4 inches (W) x 6.8 inches (D)Weight: 1.38 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter) & bull; Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or T knobs when ALT mode is engaged and when an expression pedal is plugged in. & bull; Dimensions: 5.95'' x 3.86'' x 2.96'' (including hardware) & bull; Weight: 18 ozThe Death By Audio Rooms is a stereo, multi function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. Rooms was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help explore them. Rooms' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups. Controls FREQ: Controls the frequency parameter of the current mode DEPTH: Controls the depth parameter of the current mode TIME: Controls the reverb time in all modes DRY: Controls the volume of the dry signal, from -inf to 20x gain FX: Controls the volume of the reverb signal, from -inf to 20x gain ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the FT Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in.

DEATH BY AUDIO Rooms Stereo Reverb Effects Pedal…

$ 821.86 $ 847.28

DEATH BY AUDIO Echo Dream 2 Delay Effects…

$ 582.58 $ 600.60

DEATH BY AUDIO Micro Dream Lofi Delay Effects…

$ 424.71 $ 429.00

Dimensions (Overall): 5.75 inches (L), 3.38 inches (H) x 4.75 inches (W) x 5.75 inches (D)Weight: .79 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery) & bull; Current Draw: 5 mA & bull; Dimensions: 4.95" x 2.61" x 2.34" (including hardware) & bull; Weight: 10 ozThe Death By Audio Absolute Destruction distortion effects pedal is engineered to show little-to-no respect for what instruments normally sound like, or even what people want them to sound like. It was designed to be pushed until it sounds totally unhinged. Want a thick, gnarly fuzz sound? Sure, can do that, and it'll sound really, really good. can also push the Overload slider into blooming, octave nastiness. Push it further and starve the circuit until signal eats itself. Push it to the maximum, and sound will duck completely into the void before it returns, coming back to life with a relentless vengeance. Controls Master Volume: Controls the output volume of the effect. Overload: Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left it pulverizes the sound more rapidly. Gain: Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing. Harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. choose, to liking, how much to absolutely destroy sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of guitar reaching back from the depths of destruction are at fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound amp would make if set fire to it.

DEATH BY AUDIO Absolute Destruction Overloading Power Amplifier…

$ 382.24 $ 386.10

Dimensions (Overall): 8.75 inches (L), 3.43 inches (H) x 5.4 inches (W) x 8.75 inches (D)Weight: 1.74 poundsEffect Type: Wah and FilterWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Filter Freq: Cutoff frequency of the filter. Numbers shown are in Hz. & bull; Filter Output: Volume of the filter section of the pedal. & bull; Filter Selector: Selects between the different filter types–Low-Pass, Band-Pass, and High-Pass. & bull; Filter Resonance: Sets the resonance of the filter in conjunction with the Resonance Switch. WARNING: Will self-oscillate at high levels. & bull; Resonance Switch: Sets the range of the Filter Resonance knob between Normal and High.The Evil Filter takes an IC chip built for medical testing equipment and warps it into a mutated, psychotic pro-grade High-Pass, Band-Pass, and Low-Pass filter with expression/CV control and a built-in fuzz that plays nicely with recording rig, modular synth setup, guitar, bass, keyboard, other effects on pedalboard, or anything else that needs a second helping of evil. At its craziest, the Evil Filter whips up wild upper and lower octaves, twisted folding attack envelopes collapsing back in on themselves like velvet bows playing a song for all eternity, whistling resonant EQs, and diabolical self-oscillation. Back off the controls and ’ll hear organic synth-like filters lively with analog warmth, ultra-funky wah-wah effects, pinched glam rock lead guitar tones, or just a surly, insane fuzz paired up with The-Filter-Section-To-End-All-Filter-Sections. Sweeten signal with a static filter and fuzz or add favorite expression pedal (or CV) to unleash wicked filter sweeps and insane wah effects. What Does a Multimode Filter Pedal Do?The Evil Filter takes signal and carves it up so that only hear the frequencies want to play with. In High-Pass mode, ’ll hear frequencies above where the Filter Freq. control is positioned. In B and-Pass mode, the Evil Filter chops off the high and low frequencies, leaving with a midrange signal that has a round, vocal-like character, similar to a wah. In Low-P ass mode, only bass frequencies below the Filter Freq. control come through, so feel the rumble in soul. The Filter Resonance control adjusts the width and “ringiness” of the filter, which sets the overall tonal quality of the pedal from being a subtle tone-shaping utility or a harbinger of sonic devastation. At lower settings, the filter acts on a wide range of frequencies for gentle rolling sweeps and conventional filter sounds. As bring up the Resonance, the affected frequencies get narrower and narrower until it eventually clamps down on such a tiny range of frequencies that it boosts them into ringing peaks, earth-shaking subharmonic pulses, and screaming self-oscillation. For extra harmonics and oscillation, flip the Resonance toggle switch from Normal to High and freak out. Enter the Evil FuzzMisery loves company, so the Evil Filter is equipped with an Evil Fuzz to take the signal to a much darker dimension. The Evil Fuzz has its own footswitch so can use it as a standalone full-on fuzz, or pair it with the Evil Filter to push the medical-grade IC past its limit to develop potent new sonic concoctions to push sound to the limit. The Evil Fuzz has two fuzz types: takes from a rich fuzz that cleans up nicely with volume control, and is an over-the-top fire-breathing scorcher that dishes out disgustingly amazing blasted-out fuzz. Evil Filter Everywhere Evil Filter packs so much explosive sound into a single pedal that ’ll want to use it for everything from clean guitars to intense industrial sound-mangling. Rhythm guitars? Patch in the Evil Filter and use the High-Pass filter to remove muddy low-end and sculpt ideal sound. Recording a solo? Try using the Band-Pass filter to find the perfect frequencies so fit in the mix. Bass? Crank the Resonance and sweep the Low-Pass filter for gutsy synth-bass filter sweeps that’ll have bandmates looking for synth rig. And if have a modular synth, the Evil Filter offers CV/expression input to control the filter cutoff frequency in tempo using a synthesizer or expression pedal.