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& lt;header & gt; & lt;p & gt; & lt;strong & gt;Limited Edition - 2000 Copies Worldwide! & lt;br & gt; Available For The First Time On 180g Vinyl LP! & lt;br & gt; Remastered From Original Master Tapes & amp; Pressed at Pallas! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;TAS Rated 4.5/5 Music, 3.5/5 Sonics in the October 2020 Issue of The Absolute Sound! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Art Blakey's & quot;Live In '65 & quot; boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums. Freddie Hubbard's incendiary playing on & quot;Blue Moon & quot; and the blistering 24-minute version of his own & quot;Crisis & quot; shows that he was one of the most innovative trumpeters in jazz history. & lt;/p & gt; & lt;p & gt;On this live session, the audiences seem to have been enthusiastic and appreciative. & lt;strong & gt; & quot;Everywhere we'd go people would say, this is the best Jazz Messengers we've heard & quot; & lt;/strong & gt; according to Davis. & lt;strong & gt; & quot;And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing - with Messengers heads, you know, but when we got to soloing...! And Blakey was ridin' and oatin' the time ... but he would always be loose enough to follow, to keep it going. He's one helluva musician. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;Previously unreleased recordings by important jazz musicians are almost always of interest, but Live in Paris '65 stands out in even the most elite company... The two longest performances, 'The Hub' and 'Crisis,' allow trumpeter Freddie Hubbard and saxophonist Nathan Davis considerably more solo space than would normally be allotted for a studio recording, and both artists take full advantage of the opportunity to stretch out, continually exploring new ideas while remaining steadfast in their commitment to swing; the same could be said of the shorter but equally cogent solos by pianist Jaki Byard. A spotlight for Hubbard, 'Blue Moon' cleanses the palate with some sweet ballad playing. Throughout the rest of the album the quintet, buoyed by Reggie Workman on double bass and bandleader Art Blakey on drums, brings a fiery, small-club energy to a larger venue. & quot; & lt;/strong & gt; - Jeff Wilson, The Absolute Sound, October 2020, Music 4.5/5, Sonics 3.5/5 & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; The performance climaxes with an Art Blakey drum solo that's one for the ages - but then again, the same could be said for the entire album & lt;footer & gt; -Jeff Wilson, The Absolute Sound, October 2020, Music 4.5/5, Sonics 3.5/5 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition - 2000 Copies Worldwide & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Recorded at Palais de la Mutualit & amp;#233;, Paris, France, November 3, 1965 & lt;/li & gt; & lt;li & gt;Available for the first time & lt;/li & gt; & lt;li & gt;Remastered from original master tapes & lt;/li & gt; & lt;li & gt;Pressed by Pallas in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Art Blakey & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Freddie Hubbard & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Nathan Davis & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jacki Byard & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Reggie Workman & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Hub & lt;/li & gt; & lt;li & gt;Blue Moon & lt;/li & gt; & lt;!--More tracks go here in & lt;li & gt; tags-- & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Crisis & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Art Blakey & The New Jazz Live in…

$ 68.39 $ 71.99

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Limited Edition 180g Vinyl LP - Only 1000 Copies! & lt;br & gt; Remastered From Original Mono Master Tapes & amp; Pressed at Pallas! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;This self-titled album is a testimony of the short lived-band led by New-York drummer Ron Jefferson during his stay in Paris in the mid-60s. After a first album under his name on Pacific Jazz in 1962, the founding member of The Jazz Modes and the Les McCann trio made the trip overseas. & lt;/p & gt; & lt;p & gt;Here, he made his living by playing with the popular pianists Errol Parker or Hazel Scott but his main drive was this trio that he formed with two other US expats, bassist Roland Haynes (the same musician who recorded an album on Black Jazz as a pianist, as confirmed by Kirk Lightsey) and guitarist Buz Saviano. After a highly successful show at & quot;Palais de Chaillot & quot; in 1965, they were invited for a series of concerts in Dakar, S & amp;#233;n & amp;#233;gal. On their return, Polydor International proposed them this session. & lt;/p & gt; & lt;p & gt;You can hear the deep impact their stay in the Motherland had on their music on the stand-out track & quot;Africa The Beautiful & quot;. On pair with the best of Yusef Lateef's afro-eastern explorations from the time, it showcases Ron on flute and Senegalese percussion. The album release nonetheless was a commercial failure that prompted the band's separation and Ron's return to New-York where he performed until his passing in 2007. & lt;/p & gt; & lt;p & gt;Only a few copies of this record ever made it to the shops at the time and very few have had the chance to listen to it before this legit reissue remastered from the original MONO master tapes. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition - 1000 Copies & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Mono & lt;/li & gt; & lt;li & gt;Recorded at the Studio Acousti, Paris, September 23, 1965 & lt;/li & gt; & lt;li & gt;Remastered from original Mono master tapes & lt;/li & gt; & lt;li & gt;Pressed by Pallas in Germany & lt;/li & gt; & lt;li & gt;Deluxe high-gloss flipback album jacket & lt;/li & gt; & lt;li & gt;Facsimile reissue using the original cover art (front photo is lost) & lt;/li & gt; & lt;li & gt;Double insert using an original photo by JP Leloir from 1965 (if still available) & lt;/li & gt; & lt;li & gt;Each record has been visually checked to prevent defects & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Ron Jefferson & lt;/th & gt; & lt;td & gt;drums, flute & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Buz Saviano & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Roland Haynes & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jackie Robinson & lt;/th & gt; & lt;td & gt;vocals ( & quot;The Speaker & quot;) & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Speaker & lt;/li & gt; & lt;li & gt;Africa The Beautiful & lt;/li & gt; & lt;li & gt;Fu Yu & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Every Little Bit Helps & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Ron Jefferson Choir The Ron Jefferson Choir…

$ 69.83 $ 71.99

& lt;header & gt; & lt;p & gt;Release Date To Be Announced pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Great Title Re-Pressed On 180g Vinyl 3LP! & lt;br & gt; Pressed by Optimal in Germany Using The Metal Mothers From Pallas! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style. & lt;/p & gt; & lt;p & gt;His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world was equally original and knew no boundaries. & lt;/p & gt; & lt;p & gt;This concert in Paris is audible proof that as a performer, his fluid phrasing, distinct articulation, booming bottom register, growls and shrieks were fuelled by tremendous drive and furious invention - the man was on fire! & lt;/p & gt; & lt;p & gt;These live sessions demonstrate the limitless invention of Nathan's solos. Holding no punches, weaving signature phrases, shouts and riffs into his solos, he was a fierce and fervid performer. With a sort of hollow resonance at the heart of his reedy and warm sound, Nathan Davis was a highly original artist, from an era when having a distinct sound on your instrument was the grail of jazz artistry. Harold Land, Jimmy Heath, John Gilmore, Paul Gonsalves, Charlie Rouse, George Coleman, Booker Ervin, Clifford Jordan... Jazz is made of such giants and Nathan Davis was one of them. & lt;/p & gt; & lt;p & gt;- Jean Szlamowicz & lt;/p & gt; & lt;p & gt;Note: A slight distortion may appear on two tracks on LP 2. This defect is impossible to erase without distorting the entire recording. & lt;/p & gt; & lt;blockquote cite= & quot;www.theabsolutesound.com & quot; & gt; I doubt I'm the only jazz lover who, while listening to inspired live recordings, imagines being in the venue on the night of the performance, and if that happens to you too, well, Live in Paris can take you there. & lt;footer & gt; -Jeff Wilson, The Absolute Sound, April 2019 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;3LP & lt;/li & gt; & lt;li & gt;2021 Repressing & lt;/li & gt; & lt;li & gt;Re-Mastered from the original master tapes & lt;/li & gt; & lt;li & gt;Cut at SST Studio in Germany & lt;/li & gt; & lt;li & gt;Pressed by Optimal in Germany using the Metal Mothers from Pallas & lt;/li & gt; & lt;li & gt;Gatefold cover with full size photos by Jean-Pierre Leloir & lt;/li & gt; & lt;li & gt;OBI strip & lt;/li & gt; & lt;li & gt;Notes inside with an essay by Jean Szlamowicz & lt;/li & gt; & lt;li & gt;Each record has been visually checked to prevent defects & lt;/li & gt; & lt;li & gt;Official release with the full permission & amp; cooperation of the Nathan Davis Estate & amp; INA (Institut National de l'Audiovisuel) & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Nathan Davis & lt;/th & gt; & lt;td & gt;saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Georges Arvanitas & lt;/th & gt; & lt;td & gt;piano, organ & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jacky Samson & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Charles Saudrais & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jack Di & amp;#233;val & lt;/th & gt; & lt;td & gt;piano (E2) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jacques Hess & lt;/th & gt; & lt;td & gt;bass (E2) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Franco Manzecchi & lt;/th & gt; & lt;td & gt;drums (E2) & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Hip Walk & lt;/li & gt; & lt;li & gt;Yesterdays (Flute Version) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;A5 & lt;/li & gt; & lt;li & gt;Nathalie's Bounce & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Love Ye The Neighbor & lt;/li & gt; & lt;li & gt;Mid Evil Dance & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Rules of Freedom & lt;/li & gt; & lt;li & gt;The Thing & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side E: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Yesterdays (Sax Version) & lt;/li & gt; & lt;li & gt;Blues For Southeast Asia & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Nathan Davis with Georges Arfvanitas Trio Live in…

$ 141.11 $ 143.99

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Singles & amp; EPs & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Music from 1957 Soundtrack on Limited Edition 10 & quot; Vinyl! & lt;br & gt; First Ever 10 & quot; Facsimile Reissue from the Original Tapes! & amp;nbsp; Pressed at Pallas in Germany! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt;This item not eligible for any further discount offers! & lt;/font & gt; & lt;br & gt; & lt;br & gt; In 1957, Miles Davis was in Paris for an engagement at the Club Saint-Germain and a wonderful concert at the Olympia Theatre. Once in Paris, Miles came into contact with many members of the modern existentialist cultural environment in the neighborhood of Saint-Germain-des-Près. These include the director Louis Malle who had just finished his first movie : & quot;Ascenseur Pour L'échafaud & quot;. Jean-Paul Rappeneau, a jazz fan and Louis Malle's assistant at the time, suggested asking Miles Davis to create the film's soundtrack. A private screening was organized. & lt;br & gt; & lt;br & gt; On December 4 1957, Miles Davis brought three French jazz-men - Barney Wilen on tenor saxophone, René Urtreger on piano, Pierre Michelot on bass and his American compatriot Kenny Clarke on drums - to the recording studio Le Poste Parisien without having them prepare anything. Miles Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. The recordings were made at night in a most informal atmosphere. & lt;br & gt; & lt;br & gt; The soundtrack was not released on it's own in the USA but ten songs from this soundtrack were released as one side of the album & quot;Jazz Track & quot; which received a 1960 Grammy nomination for Best Jazz Performance, Solo or Small Group. & lt;br & gt; & lt;br & gt; & quot;Ascenseur Pour L'échafaud & quot; has become a great achievement of artistic excellence. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Saxophonist Barney Wilen in particular delivered a career-defining performance that showed that the best jazz could be made anywhere... The sound in the original mono is more immediate and a touch brighter than other versions, with somewhat less added reverberation and a definitely perfect vintage drum sound. The atmosphere of the film and the music are a dark, sublime collaboration, but taken alone this is among the all-time greatest jazz recordings. & quot; & lt;/b & gt; - Mark Milano, & lt;i & gt;The Absolute Sound & lt;/i & gt;, January 2017, 5/5 Music, 5/5 Sonics & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Limited Edition 10 & quot; Vinyl & lt;br & gt; 33 1/3 rpm speed & lt;br & gt; Pressed at Pallas in Germany & lt;br & gt; First Ever 10 & quot; Facsimile Reissue from the Original Tapes & lt;br & gt; Cut by Ray Staff at Air Mastering & lt;br & gt; Includes Double Insert with Black & amp; White Miles Davis Photo & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Miles Davis, trumpet & lt;br & gt; Barney Wilen, tenor sax & lt;br & gt; Rene Urtreger, piano & lt;br & gt; Pierre Michelot, bass & lt;br & gt; Kenny Clarke, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Generique & lt;br & gt; 2. L'Assassinat de Carala & lt;br & gt; 3. Sue L'Autoroute & lt;br & gt; 4. Julien Dans L'Ascenseur & lt;br & gt; 5. Florence Sur Les champs-Elysees & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Diner Au Motel & lt;br & gt; 2. Evasion De Julien & lt;br & gt; 3. Visite Du Vigile & lt;br & gt; 4. Au Bar Du Petit Bac & lt;br & gt; 5. Chez Le Photographe Du Motel & lt;br & gt; & lt;br & gt; Recorded December 4, 1957 at Le Poste Parisien in Paris.

Miles Davis Ascenseur pour l'echafaud 10" Vinyl

$ 51.83 $ 53.99

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Discovered 1959 Studio Recording! & lt;br & gt; Cut By Kevin Gray & amp; Pressed At Quality Record Pressings! & lt;br & gt; Includes A 4-Page Insert With Photos! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Provocative, controlled, erratic, lyrical, grating - and, above all else, original. These are just a few of the terms one can use to describe Thelonious Monk - both the man and his music. & lt;br & gt; & lt;br & gt; Recorded for the 1960 Roger Vadim movie Les Liaisons Dangereuses, this album features Monk performing with Charlie Rouse, Barney Wilen, Sam Jones and Art Taylor. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...Les Liaisons Dangereuses 1960, music recorded for the 1960 Roger Vadim movie Les Liaisons Dangereuses. & lt;br & gt; & lt;br & gt; & quot;A studio set recorded in 1959, in New York City, when Monk was in his late tenure at Riverside Records, the sound here is something of a preview of his approach upon his move to Columbia Records, where the compositions took on a tighter (it's relative; this is, after all, Monk) form. The set features tenor saxophonists Charlie Rouse and Barney Wilen. Rouse went on to serve in Monk's bands until the end. Wilen was best known then as the sax man on Miles Davis soundtrack recording, Ascenseur Pour L'Echafaud (Fontana, 1958). The rhythm section was rounded out by bassist Sam Jones and drummer Art Taylor. & lt;br & gt; & lt;br & gt; & quot;As on most of his Columbia work, the set list is contains tunes mostly from the familiar Monk songbook, with a brief gospel hymn & quot;By And By (We'll Understand it By And By). & quot; The somber & quot;Pannonica & quot; receives three treatments; & quot;Well You Needn't & quot; is more fluid and more introspective than any other Monk take of the tune; & quot;Crepuscule With Nellie & quot; is, as always, perfect universe that makes complete and beautiful sense. & lt;br & gt; & lt;br & gt; & quot;Thelonious Monk: Les Liaisons Dangereueses 1960 is Monk in fine form, leaning toward his Columbia Records sound with excellent compatriots. & quot; & lt;/b & gt;- allaboutjazz.com, Dan McClenaghan, June 1, 2017 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Mastered at Cohearent Audio by Francois Le Xuan & amp; Cut by Kevin Gray & lt;br & gt; & amp;bull; Plated & amp; Pressed At Quality Record Pressings & lt;br & gt; & amp;bull; Includes 4-page insert with photos and an essay by Robin D.G. Kelley & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Thelonious Monk Quintet: & lt;br & gt; Charlie Rouse, tenor saxophone & lt;br & gt; Barney Wilen, tenor saxophone & lt;br & gt; Thelonious Monk, piano & lt;br & gt; Sam Jones, double bass & lt;br & gt; Art Taylor, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Rhythm-a-Ning & lt;br & gt; 2. Crepuscule With Nellie & lt;br & gt; 3. Six In One & lt;br & gt; 4. Well, You Needn't & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Pannonica (solo) & lt;br & gt; 2. Pannonica (solo) & lt;br & gt; 3. Pannonica (quartet) & lt;br & gt; 4. Ba-Lue Bolivar Ba-Lues-Are & lt;br & gt; 5. Light Blue & lt;br & gt; 6. By And By (We'll Understand It Better By And By)

Thelonious Monk Les Liaisons Dangereuses 1960 LP (Vinyl)

$ 39.19 $ 39.59

& lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Audio Beat Rated 4/5 Music, 3.5/5 Sound! & lt;br & gt; & quot;Recording of the Year Award at CES, Las Vegas 2014 by The Audio Beat Magazine! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Limited Edition 180 Gram Vinyl! Only 750 Copies! & lt;br & gt; Remastered From Original Master Tapes! Pressed by Pallas in Germany! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; In the tradition of labels wholly devoted to vinyl re-pressing, Sam Records puts out a product of top-notch musical and visual quality. & lt;br & gt; & lt;br & gt; While so many labels confine themselves to re-mastering digital versions and reproducing the original artwork by simply scanning the cover, Sam Records uses only master tapes and re-creates record covers using the original photographs, paintings and/or drawings. That generally involves some painstaking detective work, so its a job for conscientious professionals, not corner-cutting amateurs. & lt;br & gt; & lt;br & gt; Sam Records' re-pressings pay tribute to the people the musicians, producers, labels, photographers, graphic artists and sound engineers who created the original recordings that have become enduring legends of 1950s and 60s jazz. & lt;br & gt; & lt;br & gt; Reissue using the original photos from Jean-Pierre Leloir, remastered from the original master tapes. Limited edition 750 copies 180-gram vinyl pressed by Pallas in Germany. & lt;br & gt; & lt;br & gt; Front and back covers are identical to the originals, made using original negatives or prints if still available. & lt;br & gt; & lt;br & gt; Comes with a large-sized high-quality print of a photograph from the archives of Jean-Pierre Leloir. & lt;br & gt; & lt;br & gt; This session, recorded at Studio Pathe-Magellan October 11, 1955 in Paris, is the first of three recordings for the Barclay label between 1955 and 1956. & lt;br & gt; & lt;br & gt; Chet, with Richard Dick Twardzik on piano, Jimmy Bond on bass and Peter Littmann on drums, performs the beautiful compositions of Robert L. Bob Zieff. A masterpiece!!! & lt;br & gt; & lt;br & gt; Re-issue using the original photo from Jean-Pierre Leloir, re-mastered from the original master tapes. Limited edition 180 gram vinyl pressed by Pallas in Germany. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Baker is relaxed and mellifluous throughout, but the significance of the session comes from the bold playing of Richard Twardzik, a classically trained 24-year-old pianist who gained a reputation for innovation and daring... As physical objects, the Sam Records LPs are gorgeous. The sleeves are authentic copies of the originals, with European-style fold-over seams and crisp, vibrant graphics, and the Pallas-pressed, flat-edge records are gleaming slabs that play with essentially no noise. & quot; & lt;/b & gt; - Marc Mickelson, The Audio Beat, Rated 4/5 Music, 3.5/5 Sound & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Limited Edition, 750 copies! & lt;br & gt; Limited Edition 180 Gram Vinyl & lt;br & gt; Re-mastered from Original Master Tapes & lt;br & gt; Pressed by Pallas in Germany & lt;br & gt; High Quality Jackets with Detailed and Faithfull Reproductions of the Original Artwork Inside and Out! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Chet Baker, trumpet & lt;br & gt; Dick Twardzik, piano & lt;br & gt; Jimmy Bond, bass & lt;br & gt; Peter Littmann, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Rohdette & lt;br & gt; 2. Piece Caprice & lt;br & gt; 3. Mid-Forte & lt;br & gt; 4. Re-Search & lt;br & gt; 5. Pomp & lt;br & gt; 6. Sad Walk & lt;br & gt; 7. Just Duo & lt;br & gt; 8. The Girl From Greeland & lt;br & gt; 9. Brash

The Chet Baker Quartet Chet Baker Quartet Featuring…

$ 68.39 $ 71.99

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Limited Edition 180g Vinyl LP - Only 2000 Copies! & lt;br & gt; Never-Before-Released Live Recording! & lt;br & gt; Mastered From The Original Stereo Master Tapes! & lt;br & gt; Pressed At Pallas in Germany! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes '75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. & lt;/p & gt; & lt;p & gt;That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper's signature tunes & quot;Cry Of Hunger & quot; and & quot;Croquet Ballet & quot; reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer. & lt;/p & gt; & lt;p & gt;Sam Records are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by G & amp;#233;rard Rouy and Thierry Trombert and an essay by Bernard Loupias. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition - 2000 Copies & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Never-before-released live recording & lt;/li & gt; & lt;li & gt;First official release with the full permission & amp; cooperation of Billy Harper & amp; INA (Institut National de l'Audiovisuel) & lt;/li & gt; & lt;li & gt;Produced by Fran & amp;#231;ois L & amp;#234; Xuan & amp; Fred Thomas for Sam Records/Saga & lt;/li & gt; & lt;li & gt;Mastered from the original stereo master tapes & lt;/li & gt; & lt;li & gt;Cut by SST (Schallplaten Schneid Technik) & lt;/li & gt; & lt;li & gt;Pressed by Pallas in Germany & lt;/li & gt; & lt;li & gt;6-page booklet & lt;/li & gt; & lt;li & gt;Previously unseen photos by G & amp;#233;rard Rouy & amp; Thierry Trombert & lt;/li & gt; & lt;li & gt;Essay by Bernard Loupias & lt;/li & gt; & lt;li & gt;Each record has been visually checked to prevent defects & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Billy Harper & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Virgil Jones & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Joe Bonner & lt;/th & gt; & lt;td & gt;piano, arranger & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;David Friesen & lt;/th & gt; & lt;td & gt;double bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Malcolm Pinson & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Cry Of Hunger & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Croquet Ballet & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Billy Harper Quintet Antibes '75 180g LP…

$ 69.11 $ 71.99

& lt;b & gt;Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 29/100! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;The Absolute Sound Top Ten Vinyl Reissue of 2016! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180 Gram Vinyl! Re-mastered by Ray Staff at Air Mastering Studio! & lt;br & gt; Pressed at Pallas in Germany! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;It's impossible to listen to 19-year-old Wilen's playing here without marveling at his poise and ability to improvise melodically. And close to impossible to stop listening to this timeless record once you have it on the turntable. Production values are through the rood for this release. & quot; & lt;/b & gt; - Duck Baker, & lt;i & gt;The Absolute Sound & lt;/i & gt; Buyer's Guide 2016, 4/5 Music, 4.5/5 Sonics & lt;a href= & quot;\SAMLP12005-TASreview.pdf & quot; & gt; & lt;font color= & quot;#0000FF & quot; & gt; & lt;b & gt;Read The Full Review Here! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on & quot;Afternoon In Paris & quot; -- neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well known in European jazz circles. With Lewis on piano, Distel on guitar, Wilen on tenor, Michelot or Percy Heath on bass, and Kenny Clarke or Connie Kay on drums, the part-American, part-French group of improvisers provides an above-average bop album that ranges from & quot;Willow Weep For Me & quot;, & quot;All The Things You Are & quot;, and & quot;I Cover The Waterfront & quot; to Milt Jackson's & quot;Bags' Groove & quot; and Lewis' title song. The big-toned Wilen was only 19 when & quot;Afternoon In Paris & quot; was recorded, but as his lyrical yet hard-swinging solos demonstrate, he matured quickly as a sax man. A mythic LP and one of the best recorded in France!!! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The pace is relaxed, thoughtful, ultra-refined and deliberate as it must be with Lewis leading. It also swings unfailingly. Fans will hear familiar, comfortable Lewis motifs and a sublime blending of piano and Distel's cleanly articulated hollow bodied guitar lines. & quot; & lt;/b & gt; - analogplanet, 9/11 Music, 8/11 Sound & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; Remastered by Ray Staff at Air Mastering Studio from a Copy of Master Tapes & lt;br & gt; Pressed at Pallas in Germany & lt;br & gt; Double Insert with Photo & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; John Lewis, piano & lt;br & gt; Sacha Distel, guitar & lt;br & gt; Barney Wilen, tenor saxophone & lt;br & gt; Pierre Michelot, bass & lt;br & gt; Percy Heath, bass & lt;br & gt; Connie Kay, drums & lt;br & gt; Kenny Clarke, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; & lt;b & gt;Side A: & lt;/b & gt; & lt;br & gt; 1. I Cover the Waterfront & lt;br & gt; 2. Dear Old Stockholm & lt;br & gt; 3. Afternoon in Paris & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 4. All the Things You Are & lt;br & gt; 5. Bag's Groove & lt;br & gt; 6. Willow Weep For Me & lt;br & gt; & lt;br & gt; Recorded December 1956 in Paris in mono

John Lewis & Sacha Distel Afternoon In Paris…

$ 69.83 $ 71.99

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Limited Edition 180g Vinyl LP - Only 1000 Copies! & lt;br & gt; Remastered From The Original Mono Master Tapes! & lt;br & gt; Pressed by Optimal in Germany Using The Metal Mothers From Pallas! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Ronnell Bright was in Paris for just a simple stopover during the European tour that Sarah Vaughan was doing to represent the United States at the Universal Exhibition in Brussels. This rare date was cut at Studio des Dames in Paris on June 5, 1958 for french Polydor label and it's a stripped-down trio date with a nicely relaxed feel - one that has Ronnell Bright really opening up on the keys, in ways you don't always hear on his material with singers. This session took place in a certain euphoria on Thursday of Corpus Christi, and you can feel the joy and dynamics in music. The other players in the trio are Richard Davis on bass and the English drummer Art Morgan. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition - 1000 Copies & lt;/li & gt; & lt;li & gt;2021 Repress & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Mono & lt;/li & gt; & lt;li & gt;Re-mastered from the original mono master tapes & lt;/li & gt; & lt;li & gt;Pressed by Optimal in Germany using the Metal Mothers from Pallas & lt;/li & gt; & lt;li & gt;Facsimile reissue using the original photo by Jean-Pierre Leloir for the back cover (front photo is lost) & lt;/li & gt; & lt;li & gt;Double insert using an original photo by JP Leloir from the session & lt;/li & gt; & lt;li & gt;Each record has been visually checked to prevent defects & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Ronnell Bright & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Richard Davis & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Art Morgan & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;R And R Groove & lt;/li & gt; & lt;li & gt;Johnny Pate's Blues & lt;/li & gt; & lt;li & gt;Things Ain't What They Used To Be & lt;/li & gt; & lt;li & gt;Sail' Em & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Champ & lt;/li & gt; & lt;li & gt;Easy Listening Blues & lt;/li & gt; & lt;li & gt;Chasing Sarah & lt;/li & gt; & lt;li & gt;Doxology & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Ronnell Bright Trio The Ronnell Bright Trio…

$ 71.27 $ 71.99

& lt;header & gt; & lt;strong & gt; & lt;p & gt;Limited Edition 180g Vinyl LP - Only 1000 Copies! & lt;br & gt; Remastered From The Original Mono Master Tapes! & lt;br & gt; Pressed by Optimal in Germany Using The Metal Mothers From Pallas! & lt;/p & gt; & lt;/strong & gt; & lt;/header & gt; & lt;p & gt;Recorded February 13 and 14, 1958 in Paris. & lt;/p & gt; & lt;p & gt; & quot;Tenor saxophonist Barney Wilen was not quite 21 years old at the time of this meeting with Milt Jackson, Percy Heath and Kenny Clarke, three veterans of the Modern Jazz Quartet. But the young man is surprisingly mature and confident throughout the session, interpreting several of Django Reinhardt's compositions, along with a few by his French contemporaries and a pair of his own works. What's surprising about this session is the rare opportunity to hear Jackson exclusively as a pianist, as his playing is a bit more reserved than on vibes. The leader digs into his rhythm section's element with his original & quot;B.B.B. (Bag's Barney Blues) & quot;, giving them a full chorus before making a convincing statement himself. The quartet's fluid arrangement of Thelonious Monk's & quot;Epistrophy & quot; swings. Percussionist Gana M'Bow is added for both & quot;Swing 39 & quot; and & quot;Minor Swing & quot; to add an exotic touch. Wilen easily holds his own on his first major meeting on a record date with major American jazz stars. & quot; - Ken Dryden, AllMusic & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition - 1000 Copies & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Mono & lt;/li & gt; & lt;li & gt;Re-mastered from the original mono master tapes & lt;/li & gt; & lt;li & gt;Pressed by Optimal in Germany using the Metal Mothers from Pallas & lt;/li & gt; & lt;li & gt;Deluxe high-gloss flipback album jacket & lt;/li & gt; & lt;li & gt;Facsimile reissue using the original cover art & lt;/li & gt; & lt;li & gt;Double insert using a contact sheet from the session taken by unknown photographer & lt;/li & gt; & lt;li & gt;Each record has been visually checked to prevent defects & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Milt Jackson & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Percy Heath & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Barney Wilen & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kenny Clarke & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Gana M'Bow & lt;/th & gt; & lt;td & gt;toumba ( & quot;Swing 39 & quot; & amp; & quot;Minor's Swing & quot;) & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Swing 39 & lt;/li & gt; & lt;li & gt;Vamp & lt;/li & gt; & lt;li & gt;Menilmontant & lt;/li & gt; & lt;li & gt;John's Groove & lt;/li & gt; & lt;li & gt;B.B.B. (Bag's Barney Blues) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Swingin' Parisian Rhythm (Jazz Sur Seine) & lt;/li & gt; & lt;li & gt;J'ai Ta Main & lt;/li & gt; & lt;li & gt;Nuages & lt;/li & gt; & lt;li & gt;La Route Enchant & amp;#233;e & lt;/li & gt; & lt;li & gt;Que Reste-T-il De Nos Amours? & lt;/li & gt; & lt;li & gt;Minor's Swing & lt;/li & gt; & lt;li & gt;Epistrophy & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;