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gearbox bulletstorm: full clip edition xbox one

$ 173.57 $ 175.32

& lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;New Album From Legendary Trumpeter On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;TAS Rated 4.5/5 Music, 4.5/5 Sonics in the March 2021 Issue of The Absolute Sound! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Jazz Trumpet legend, founder of the uber-cool Strata East label that spawned Gil Scott Heron, is back with Connect, his first studio album in 13 years. & lt;/p & gt; & lt;p & gt;Recorded to tape at RAK Studios in London last November (2019) by Tony Platt (The Bad Plus, Abdullah Ibrahim, Bob Marley), the four-track album features the & lt;strong & gt;Charles Tolliver All-Stars & lt;/strong & gt;, comprising some of the most experienced jazz musicians of New York: & lt;strong & gt;Jesse Davis & lt;/strong & gt; on alto saxophone, & lt;strong & gt;Keith Brown & lt;/strong & gt; on piano, & lt;strong & gt;Buster Williams & lt;/strong & gt; on double bass, and & lt;strong & gt;Lenny White & lt;/strong & gt; on drums. The album also bridges together New York and London by featuring leading British saxophonist & lt;strong & gt;Binker Golding & lt;/strong & gt; on two tracks, (Binker & amp; Moses, Moses Boyd Exodus, Zara McFarlane.) Connect will be Charles' first release via London-based independent label Gearbox Records, who are responsible for recent releases by Abdullah Ibrahim, Binker & amp; Moses, Butcher Brown and Theon Cross. & lt;/p & gt; & lt;p & gt;On recording with Gearbox, Charles said, & lt;strong & gt; & quot;... with both of our collective recording label expertise a recording of my touring band could and would be done. I chose to CONNECT consummate artists whose performances represent absolutely 'THE' Real Deal in this Artform - Lenny White, Buster Williams, Jesse Davis, Keith Brown. The excellent artistry of Binker Golding was added for some tracks by Darrel (Gearbox founder.) & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Charles Tolliver, entirely self-taught, is a remarkable talent who has gained an outstanding reputation as a trumpetist, bandleader, composer, arranger, and educator. Born in Jacksonville, Florida in 1942, his musical career began at the age of 8 when his beloved grandmother, Lela, presented him with his first instrument, a cornet, and the inspiration to learn. & lt;/p & gt; & lt;p & gt;After a few years of college majoring in pharmacy at Howard University, and formulating his trumpet style, Charles began his professional career with the saxophone giant Jackie Mclean. Making his recording debut with McLean on Blue Note Records in 1964, Charles has since recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Herbie Hancock, The Gerald Wilson Orchestra, Oliver Nelson, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & amp; the Jazz Messengers, and Max Roach. & lt;/p & gt; & lt;p & gt;Charles Tolliver has been a recipient of the Downbeat Critic's Choice for the Trumpet category. In 1969 he formed the quartet Music Inc which has become internationally respected for its innovative trumpet quartet approach. Charles and his Music Inc, has toured in North and South America, Europe, Scandinavia, and Japan performing at festivals, concerts, radio and television stations. In 1970 he and his alter ego fellow musician artist Stanley Cowell created Strata-East Records which he has steadfastly kept alive straight into the present. & lt;/p & gt; & lt;p & gt;In recent times, Charles issued his 2007 album, Grammy-nominated big band recording With Love through Blue Note, whilst the Jazz Journalists Association presented him with the & quot;Best Large Ensemble of the Year 2007 & quot; award for his new tour de force group, The Charles Tolliver Big Band. In 2009, he released a live big band album entitled Emperor March, recorded at the Blue Note in New York. & lt;/p & gt; & lt;p & gt;Cut on a Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head and Telefunken U73B tube limiter; Decca valve equalisation; monitored on Audio Note equipment. & lt;/p & gt; & lt;blockquote cite= & quot;www.theabsolutesound.com & quot; & gt; Now 78, he reemerges with his first small group session in decades. Joined on the date by fellow young-spirited septuagenarians Buster Williams, on bass, and Lenny White, on drums, Tolliver squeezes out bright tones and mercurial runs from his horn, reeling out one surprising idea after another during his improvisations. Pianist Keith Brown lives up to his heritage (his father played in Blakey's Jazz Messengers) by matching White's fury in the rhythm section, and alto saxophonist Jesse Davis and rising English tenor star Binker Golding (on two of the four Tolliver-composed tracks) bolster the front-line unisons and solo admirably in Tolliver's formidable slipstream. Bursting with energy, tinged with funk, soul, blues, and free jazz, and superbly recorded, mastered, and cut to vinyl, Connect is 40 minutes of exhilarating, ageless hard-bop. & lt;footer & gt; -Derk Richardson, The Absolute Sound, March 2021, Music 4.5/5, Sonics 4.5/5 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Mastered and cut by Darrel Sheinman & amp; Caspar Sutton-Jones at Gearbox Records & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Charles Tolliver & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jesse Davis & lt;/th & gt; & lt;td & gt;alto saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Keith Brown & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Buster Williams & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Lenny White & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Binker Golding & lt;/th & gt; & lt;td & gt;tenor sax (A2 & amp; B2) & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Blue Soul & lt;/li & gt; & lt;li & gt;Emperor March & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Copaestic & lt;/li & gt; & lt;li & gt;Suspicion & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Charles Tolliver Connect LP (Vinyl)

$ 43.64 $ 44.99

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Lost 1963 Recording Released For The Very First Time! & lt;br & gt; All Analogue Mono Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Rated 4.5/5 Music, 5/5 Sonics in the December 2018 Issue of The Absolute Sound! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; News of a previously unreleased recording by any of jazz's & quot;holy trinity & quot; is a reason to get excited. Now two have come along in the space of a few months. For hot on the heels of Impulse's hit Coltrane release comes this precious lost treasure from prime-era Monk, featuring his most critically acclaimed Quartet. 'Mønk' is a memorable live set (Copenhagen, Denmark) from 1963 featuring, among other gems, glorious versions of soon-to-be classics & quot;Bye-Ya & quot; and & quot;Monks Dream & quot; that outdo even the famous studio versions. It's most definitely Monk in his pomp, heralding a year in which Monk would become one of only 4 jazz artists to ever appear on the front cover of TIME magazine. & lt;br & gt; & lt;br & gt; The original tapes, having been saved from a skip, have been faithfully restored, mastered and cut using Gearbox's legendary all-analogue process, making this a treat for audiophiles, enthusiasts, historians and music lovers of all shapes and sizes. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This music is modernist, bluesy, soulful, weird, and so damn swinging. The quartet is a 'thing', an organism that radiates correctly and naturally. How wonderful to have another document of this masterful band on a good night. & quot; & lt;/b & gt; - Ethan Iverson (The Bad Plus) & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Though not as earthshaking as the recently rediscovered John Coltrane session ( & lt;i & gt;Both Directions at Once & lt;/i & gt;), this previously unreleased set also demands the attention of serious jazz fans, particularly audiophiles. The difference is that this is not a 'lost' studio session but a concert recording by a quartet (with Charlie Rouse, tenor saxophone; John Orr, bass; Frankie Dunlop, drums) that left us over a dozen other live recordings. And when one includes quartet dates by Monk, Rouse and a different rhythm tandem, that number more than doubles. So why should listeners who already have several other records by this group worry about this one? The main reason is that the sound quality here is terrific, and the balance between piano, bass, and drums is amazing. Many have felt that this was the perfect bass and drummer for Monk, but rarely has the interplay between them sounded so vivid. Yes, we have heard this group playing these tunes, but that does not mean there are no surprises - in fact there are plenty of them, on every track. If you are among those who really love Monk, you are bound to love & lt;i & gt;Monk & lt;/i & gt;. & quot; & lt;/b & gt;- Duck Baker, & lt;i & gt;The Absolute Sound & lt;/i & gt;, December 2018 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Audiophile Vinyl LP (AAA) & lt;br & gt; & amp;bull; Mono & lt;br & gt; & amp;bull; Analogue recording, analogue mix and analogue master using the original source tapes & lt;br & gt; & amp;bull; Cut in-house with Gearbox's 1967 Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head & amp; Telefunken U73B tube limiter & lt;br & gt; & amp;bull; Decca valve equalisation & lt;br & gt; & amp;bull; Monitored on Audio Note equipment & lt;br & gt; & amp;bull; Previously unreleased & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Thelonious Monk, piano & lt;br & gt; Charlie Rouse, tenor saxophone & lt;br & gt; Johne Ore, double bass & lt;br & gt; Frankie Dunlop, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Bye-Ya & lt;br & gt; 2. Nutty & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. I'm Getting Sentimental Over You & lt;br & gt; 2. Body And Soul & lt;br & gt; 3. Monk's Dream & lt;br & gt; & lt;br & gt; Recorded on March 5th, 1963 at Odd Fellow Palaeet, Copenhagen, Denmark

Thelonious Monk Monk LP (Mono) (Vinyl)

$ 53.45 $ 53.99

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Previously Unreleased Treasure On Collector's Edition 3LP Set! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;A previously unreleased treasure. & lt;/strong & gt; This is the final ever recording of the legendary, influential drummer, whose impact across Rock, Funk and Soul, as well as Jazz, is unrivaled to this day. Recorded over 2 nights, 19th & amp; 20th November 1986, at Ronnie Scott's in London, England. & lt;/p & gt; & lt;p & gt;The deluxe, Collector's Edition includes a full 30 minutes of extra material, including a gob-smacking drum solo demonstrating that even toward the end of his life, his playing was unsurpassable & lt;/p & gt; & lt;p & gt;Includes full liner notes by Buddy's daughter Cath, who also appears as a guest vocalist on the recording - & lt;strong & gt;'My dad chose set lists for the two nights that I hadn't heard before. He was always brilliant in choosing the right sets, but this time he shied away from the tried and true and went to places musically that were very different. It was as if he knew that he didn't have to prove anything anymore and could relax and go wherever he wanted and enjoy it. I think the end result proves just that. For two incredible nights I got to sit in the audience and cheer right along with everyone else. I will always remember that time as one of the greatest moments in my life. Now I can revel in the fact that, thankfully, his last recordings were caught on tape for all of us to enjoy forever. It has taken thirty-three years to finally get these recordings out. An absolute labor of love that I never gave up on. At times it was quite a struggle, but in the end it was all about the music.' & lt;/strong & gt; & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt; Collector's Edition & lt;/li & gt; & lt;li & gt;3LP Set & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Wind Machine & lt;/li & gt; & lt;li & gt;Night Blood & lt;/li & gt; & lt;li & gt;Ready Mix & lt;/li & gt; & lt;li & gt;The Trolley Song & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Winding Way & lt;/li & gt; & lt;li & gt;Harco Shuffle & lt;/li & gt; & lt;li & gt;Just In Time & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Loose & lt;/li & gt; & lt;li & gt;Love For Sale & lt;/li & gt; & lt;li & gt;Shawnee & lt;/li & gt; & lt;li & gt;Up Jumped Spring & lt;/li & gt; & lt;li & gt;Why Bother? & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Porgy And Bess & lt;/li & gt; & lt;li & gt;Twisted & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side E: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Good News Pt.1 (feat. Steve Marcus) & lt;/ol & gt; & lt;h4 & gt;Side F: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Good News Pt.2 & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Buddy Rich Just In Time: The Final Recording…

$ 68.39 $ 71.99

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Jazz Duo's Breakthrough Live Performance On Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Those who know the duo will appreciate that every Binker and Moses performance is distinct in itself, characterized by mutual spontaneity and the tireless interrogation of the infinite. This 6-track recording, taken from their Journey To The Mountain Of Forever album launch at the now-legendary (and much missed) East London venue Total Refreshment Centre back in 2017, is a whole new interpretation of the studio album. & lt;/p & gt; & lt;p & gt;A vital moment in the resurgence of the London Jazz scene, this epoch-defining set captures all the power, energy and deftness of touch that became the thrilling, visceral experience of Binker and Moses' breakthrough performance. Recorded on a sweltering summer night, the palpable excitement of the crowd and its energetic, liberated response to the action on stage adds extra levels to the atmospherics, and elevates the pioneering duo's performance to a new high. & lt;/p & gt; & lt;blockquote cite= & quot;www.allaboutjazz.com & quot; & gt; Shamanistic, seductive, earthy and interstellar, this is one of the best discs to be released in Britain during 2020 & lt;footer & gt; -Chris May, All About Jazz & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.londonjazznews.com & quot; & gt; It's amazing to think that this all went down three and a half years ago, it still sounds like it's light years in the future. & lt;footer & gt; -Adam Sieff, London Jazz News & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Boyd is a triumph on his kit, attacking it with Buddy Rich-like power and Neal Peart-like complexity. And he can lay into a tight groove with the authority and ease of Zigaboo Modeliste of the Meters. That still leaves plenty of room for Golding to assert himself with lithe, muscular solos. This double LP condenses the breadth of London's current jazz scene into one volatile and shiny diamond. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/BtxqKVbKhYU & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Recorded live at London's Total Refreshment Centre in June 2017 & lt;/li & gt; & lt;li & gt;Mastered & amp; cut by Darrel Sheinman at Gearbox Records & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Binker Golding & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Moses Boyd & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Disc One & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;The Departure & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Intoxication From The Jahvmonishi Leaves & lt;/li & gt; & lt;li & gt;Fete By The River & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Disc Two & lt;/h4 & gt; & lt;h5 & gt;Side C: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Trees On Fire & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side D: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;The Shaman's Chant & lt;/li & gt; & lt;li & gt;Leaving The Now Behind & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Binker And Moses Escape The Flames Or Journey…

$ 49.89 $ 50.39

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Live Album On Vinyl LP! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Cut Live To Disc At Gearbox Records Using Their All-Analog Signal Path! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;A direct-to-disc album, available on vinyl. & lt;/p & gt; & lt;p & gt;Recorded at Mark Ronson's Zelig Studios and cut live to disc at Gearbox Records in London using their legendary all-analog signal path. & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;The band settles into nuanced grooves with an innate respect for the past, a reverence for the Headhunters, Stevie Wonder, the Meters and the voodoo of the tape machine. & quot; & lt;/strong & gt; Huffington Post & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;Masters of full-on, soul-kissed, garage punk-funk and jazz grooves... progressive rappers should be queuing out the door for their blessing. & quot; & lt;/strong & gt; Mojo magazine & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Cut Live To Disc At Gearbox Records in London & lt;/li & gt; & lt;li & gt;Cut Using Gearbox's All-Analog Signal Path & lt;/li & gt; & lt;li & gt;Cut on a Haeco Scully lathe with Westrex RA1700 series amps, Westrex U73B tube limiter; Decca valve equalization; monitored on Audio Note equipment & lt;/li & gt; & lt;li & gt;Official Japanese Edition & lt;/li & gt; & lt;li & gt;OBI Strip & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;DJ Harrison & lt;/th & gt; & lt;td & gt;keys & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Corey Fonville & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Andrew Randazzo & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Marcus Tenney & lt;/th & gt; & lt;td & gt;trumpet & amp; tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Morgan Burrs & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Fiat & lt;/li & gt; & lt;li & gt;Street Pharmacy & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Camden Square & lt;/li & gt; & lt;li & gt;918 & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Butcher Brown Camden Session Import LP (Vinyl)

$ 42.33 $ 43.19

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Mix Of Pop, No-Wave & amp; Edgy Tropicalia On 180g Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;TAS Rated 4/5 Music, 4/5 Sonics in the April 2021 Issue of The Absolute Sound! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Thiago Nassif is a Brazilian musician, composer and producer based in Rio de Janeiro, whose impactful m & amp;#233;lange of pop, jarring no-wave and edgy Tropic & amp;#225;lia has slowly been turning heads the world over. & lt;/p & gt; & lt;p & gt;Gearbox Records presents his latest album Mente, co-produced by no-wave icon & lt;strong & gt;Arto Lindsay & lt;/strong & gt;, and representative, via its diverse list of accredited musicians, of the progressive, new-generational music scene that is bubbling away in Rio. & lt;/p & gt; & lt;p & gt;The album's title is a Portuguese homonym meaning & quot;mind & quot; and & quot;to lie & quot;, and represents Thiago's attitude towards what he calls the & quot;post-truth & quot; state of Brazil's political regime. Mixing together the languages of Portuguese and English, Thiago goes deep into no-wave, experimental electronic music, Tropicalismo, jazz and rock, moving between funk carioca to dystopian, distorted bossa nova, and beyond. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; The leading light of the new generation of Brazilian songwriters & lt;footer & gt; -Arto Lindsay & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Brilliant & lt;footer & gt; -Spectrum Culture & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; sheer audaciousness and creativity... It's much unlike anything else you're likely to hear from a very broadly defined pop realm & lt;footer & gt; -Something Else! & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.theabsolutesound.com & quot; & gt; Supposedly, musical genres can fuse together, but on Thiago Nassif's new album the combination of styles feels more like a collision. Nassif lives in Rio de Janeiro, and at times on Mente you'll hear strains of Brazilian music, including bossa nova. With their abrupt juxtapositions and retro-sounding keyboards, some tracks have a downtown East Village vibe. While the music is cerebral, jagged rhythms and off-kilter funk add a visceral element. To top it all off, Nassif has a knack for catchy pop hooks. The sum total is music that's engaging, provocative, unpredictable, and darkly seductive... I listened to it on vinyl, and I was impressed by the clarity, detail, and immediacy of the recording, as well as the noise-free wax. & lt;footer & gt; -Jeff Wilson, The Absolute Sound, April 2021, Music 4/5, Sonics 4/5 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Insert & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Soar Estranho & lt;/li & gt; & lt;li & gt;Pele De Leopardo & lt;/li & gt; & lt;li & gt;Voz & amp;#218;nica Foto Sem Calcinha & lt;/li & gt; & lt;li & gt;Pl & amp;#225;stico & lt;/li & gt; & lt;li & gt;Feral Fox & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Trepa Trepa & lt;/li & gt; & lt;li & gt;Transparante & lt;/li & gt; & lt;li & gt;Cor & lt;/li & gt; & lt;li & gt;Rijo Jorra J & amp;#225; & lt;/li & gt; & lt;li & gt;Santa & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Thiago Nassif Mente 180g LP (Vinyl)

$ 42.76 $ 43.19

& lt;header & gt; & lt;p & gt;Coming January 14, 2022 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Solo Piano Recording On 180g Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Each year on October 9th, Abdullah Ibrahim performs a solo piano concert at the Hirzinger Hall in South Germany in order to celebrate his birthday. Due to lockdown restrictions last year, this traditional birthday concert was replaced with the opportunity to record a solo piano performance. Hirzinger Hall, in Riedering, Southeast Germany, is famous for its incredible acoustics, and Ibrahim's solitary performance lends itself perfectly to the space. The recording crew was sparse, the audience non-existent, yet Ibrahim's communion with the piano remains warm and timeless. & lt;/p & gt; & lt;p & gt;In his own words: & lt;/p & gt; & lt;p & gt; & quot; & lt;strong & gt;6 years old - I played my first note on the piano with the index finger. & lt;/strong & gt; & lt;/p & gt; & lt;p & gt; & lt;strong & gt;Now 80 years and 10 fingers later - a journey that took me from Cape Town to all corners and mentors of the world - the index finger unveiled plays itself - the one note of universal unity. & lt;/strong & gt; & lt;/p & gt; & lt;p & gt; & lt;strong & gt;My great-grandfather with his index finger showed me the hidden kalahari dreamtime essence of the plants, flowers, animals and sound of the distant hills. & lt;/strong & gt; & lt;/p & gt; & lt;p & gt; & lt;strong & gt;I was 6 years young. & lt;/strong & gt; & quot; & lt;/p & gt; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/v9--IPJMzqs & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;Recorded at Hirzinger Hall in Riedering, Germany & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Abdullah Ibrahim & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Mindiff & lt;/li & gt; & lt;li & gt;Trieste My Love & lt;/li & gt; & lt;li & gt;Nisa & lt;/li & gt; & lt;li & gt;Blue Bolero & lt;/li & gt; & lt;li & gt;In-Tempo & lt;/li & gt; & lt;li & gt;Dreamtime & lt;/li & gt; & lt;li & gt;Blue Bolero (First Reprise) & lt;/li & gt; & lt;li & gt;Peace & lt;/li & gt; & lt;li & gt;Blues For A Hip King & lt;/li & gt; & lt;!--More tracks go here in & lt;li & gt; tags-- & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;District 6 & lt;/li & gt; & lt;li & gt;Tokai & lt;/li & gt; & lt;li & gt;District 6 (Reprise) & lt;/li & gt; & lt;li & gt;Pula & lt;/li & gt; & lt;li & gt;Sotho Blue & lt;/li & gt; & lt;li & gt;Blue Bolero (Second Reprise) & lt;/li & gt; & lt;li & gt;Did You Hear That Sound? & lt;/li & gt; & lt;li & gt;In The Evening & lt;/li & gt; & lt;li & gt;Once Upon A Midnight & lt;/li & gt; & lt;li & gt;The Wedding & lt;/li & gt; & lt;li & gt;Signal On The Hill & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Abdullah Ibrahim Solotude 180g LP (Vinyl)

$ 42.33 $ 43.19

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Jazz Piano & amp; Clarinet Duo Performance On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & quot; & lt;strong & gt;Two unique musical imaginations on the loose ... It's fascinating. & lt;/strong & gt; & quot; - Dave Gelly & lt;/p & gt; & lt;p & gt;Piano and clarinet duo albums are few and far between within the jazz canon. In the case of Dancing in the Dark, versatile horn player Tony Coe chose to stick to the clarinet as his saxophone case was too heavy, or so that's how pianist John Horler recounts it. Our performance in question takes place at St Michael's Church, Appleby in 2007 as part of the annual Appleby Jazz Festival. The setting is warm and intimate as is the church acoustic, a perfect backdrop for the varied repertoire of standards and original compositions performed. Coe and Horler dance their way through Bill Evans' 'Person I Knew' and Cole Porter's 'Night and Day' as well as Horler's own 'Piece for Poppy', dedicated to his partner Wendy, and Coe's contrafact to & quot;Autumn Leaves & quot;, titled 'Some Other Autumn'. Both players push and pull the well-known melodies to suit the moment yet maintain complete synergy with one another, with Horler's Bill Tatum-esque chord voicings and meandering lyrical interludes giving platform to Coe's resounding, cadenza-like improvisations. & lt;/p & gt; & lt;p & gt;Coe recounts this as & quot;one of my very best performances, which would not have been possible without a partner who is one of the finest jazz pianists in the world. & quot; The respect from Horler is mutual, with him noting, & quot;Tony was such a great player that it took sometime for me to realize that I could play a bit too... & quot; & lt;/p & gt; & lt;p & gt;Their trust in each other, in the music, and in the moment, rings true with this live performance Dancing in the Dark, which finally sees the light of day on LP. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Recorded at St. Michael's Church, Appleby, Thursday, July 26, 2007 & lt;/li & gt; & lt;li & gt;Liner Notes by Mike Figgis & amp; Dave Gelly & lt;/li & gt; & lt;li & gt;Mastered & amp; Cut by Caspar Sutton-Jones & amp; Darrel Sheinman & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Tony Coe & lt;/th & gt; & lt;td & gt;clarinet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Joe Horler & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Re: Person I Knew & lt;/li & gt; & lt;li & gt;Night And Day & lt;/li & gt; & lt;li & gt;Body And Soul & lt;/li & gt; & lt;li & gt;Some Other Autumn & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Piece For Poppy & lt;/li & gt; & lt;li & gt;Dancing In The Dark & lt;/li & gt; & lt;li & gt;Around In Three & lt;/li & gt; & lt;li & gt;Blue Monk & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Tony Coe & John Horler Dancing In The…

$ 41.89 $ 43.19

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blistering Jazz Fusion Debut Reissued On Clear Vinyl LP! & lt;br & gt; Hand-Numbered, Limited To 500 Copies! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Binker and Moses are tenor saxophonist Binker Golding and drummer Moses Boyd - two of the most exciting young jazz musicians on the thriving London jazz scene. Originally meeting through double bassist/educator Gary Crosby's Tomorrow's Warriors jazz development program, they have played together in various large and small format groups including recording and touring extensively as members of Zara McFarlane's band. Dem Ones is their 2015 debut recording as a duo, and has its roots in experiments between soundchecks and gigs while on the road with McFarlane. Over time these initial ideas and jams have become templates for improvisation, and with their echoes of late period Coltrane and Charles Lloyd, are as listenable and memorable as they are full of invention, passion and surprise. & lt;/p & gt; & lt;p & gt;All the tracks were performed in the live room at Mark Ronson's Zelig Studio, using never more than 2 takes for each track, with minimal interference in the signal chain and no overdubs, then recorded direct to Gearbox's vintage Studer 1/4 & quot; tape machine for true sonic purity. & lt;/p & gt; & lt;p & gt;The band earned themselves a host of awards off the back of the album's initial release back in 2015. Among them: & lt;br & gt; & lt;br & gt; & amp;#8226; MOBO Awards 2015: Best Jazz Act & lt;br & gt; & amp;#8226; Jazz FM Awards 2016: UK Jazz Act of the Year & lt;br & gt; & amp;#8226; Jazz FM Awards 2016: Breakthrough Act of the Year & lt;br & gt; & amp;#8226; Parliamentary Jazz Awards 2016: Jazz Newcomer of the Year & lt;/p & gt; & lt;blockquote cite= & quot;www.londonjazznews.com & quot; & gt; It's always a sign of outstanding musicianship when you realise that you're listening to far fewer players than you first thought. A sufficiently gifted pianist can suggest an entire orchestra, and various cunning small combos may punch well above their weight. But this album features a really striking duo - tenor saxophone and drums - whose playing is so accomplished and integrated that it's easy to forget you're not listening to a whole band. & lt;footer & gt; -Andrew Cartmel, London Jazz News & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/03jhrAnNU74 & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Hand-Numbered, Limited Edition - Only 500 Copies & lt;/li & gt; & lt;li & gt;Clear Vinyl & lt;/li & gt; & lt;li & gt;Recorded at Mark Ronson's Zelig Studio & amp; Gearbox Records & lt;/li & gt; & lt;li & gt;Recorded live direct to Gearbox's vintage Studer 1/4 & quot; tape machine & lt;/li & gt; & lt;li & gt;No editing, overdubbing or mixing & lt;/li & gt; & lt;li & gt;Cut on Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head & amp; Telefunken U73B tube limiter & lt;/li & gt; & lt;li & gt;Maselec master control & amp; equilization & lt;/li & gt; & lt;li & gt;Audio Note monitoring equipment & lt;/li & gt; & lt;li & gt;Cut directly from master tapes & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Binker Golding & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Moses Boyd & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;No Long 'Tings & lt;/li & gt; & lt;li & gt;Man Like GP & lt;/li & gt; & lt;li & gt; & amp;#200; S & amp;#217; & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Black Ave Maria & lt;/li & gt; & lt;li & gt;The Creeper & lt;/li & gt; & lt;li & gt;Retox & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Binker And Moses Dem Ones Numbered Limited Edition…

$ 46.32 $ 46.79

& lt;header & gt; & lt;p & gt; & lt;strong & gt;All Analogue Recording On 180g Vinyl LP! & lt;br & gt; Pressed at Vinyl Factory! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Hugh Padgham-produced albums have sold well over 100 million copies worldwide, and gathered over 100 billion streams on digital platforms to date. Despite these stratospheric stats, the multi Grammy award-winning producer has not been involved in any new material for well over a decade, and it would always take something ultra-special to pique Hugh's attention enough to get him back into the studio. This new album by drummer/composer Graham Costello, co-produced by Padgham and out on Gearbox Records, is most definitely that. & lt;/p & gt; & lt;p & gt;Veering away from solid Jazz and into minimalism, electronics and post rock, Costello builds triumphantly on the foundation he laid down on Obelisk, his debut 2019 release which was nominated for the Scottish Album of the Year Award. It garnered much attention from the UK press and further, receiving 5-stars from The Scotsman and strong accolades from the likes of Clash Magazine, who called it & quot;startling, groundbreaking...it explodes definitions to seize fresh space. & quot; & lt;/p & gt; & lt;p & gt;Second Lives is texturally Daedalian and more stylistically experimental than ever before. From the semi-free and frenetic & quot;Legion & quot;, to the multi-faceted Reichian workout & quot;Impetu & quot;, right through to the gentle yet pensive & quot;Circularity & quot;, the album is filled with high-energy polyrhythms, improvisation and borderless musical exploration. & lt;/p & gt; & lt;p & gt;Speaking on this more personal direction, Graham says & quot;my evolution as a person aligns with my evolution as a musician. & quot; The inspiration and wider themes of Second Lives sit with thoughts of identity, heritage, and Stoicism, as well as the theme of overcoming inner challenges - what you face and the process you go through to get to the other side. & lt;/p & gt; & lt;p & gt;Costello formed STRATA in 2016 - an ensemble which brings together stylistic elements of minimalism, jazz and noise-rock whilst channelling a strong DIY ethic. The ensemble is made up of some of Scotland's most exciting musical proponents. The band features: pianist Fergus McCreadie, whose critically acclaimed new solo album just came out via Edition Records; guitarist Joe Williamson, who was named Young Scottish Jazz Musician Of The Year in 2018 and leads hard-hitting 5-piece Animal Society; rising Trombonist Liam Shortall, who also leads jazz collective corto.alto; renowned bassist Mark Hendry and rising saxophonist Harry Weir who also leads AKU!. & lt;/p & gt; & lt;p & gt;Recorded and mixed directly to analogue tape. Mastered using Decca valve equalization and Telefunken U73b compression and limiting. Cut on a Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; unrelenting waves of cinematic imagery accrue an intensity that never seems to level off, even after the last note has faded. & lt;footer & gt; -Bandcamp & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Vibrant, caustic, fascinating & lt;footer & gt; -Clash Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Dedicated, artful... fantastic & lt;footer & gt; -Sunday Times & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/T5m8A5rZsJs & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Recorded & amp; mixed directly to analogue tape & lt;/li & gt; & lt;li & gt;Co-produced, engineered & amp; mixed by Hugh Padgham & lt;/li & gt; & lt;li & gt;Mastered & amp; cut by Caspar Sutton-Jones & lt;/li & gt; & lt;li & gt;Pressed at Vinyl Factory & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Harry Weir & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Liam Shortall & lt;/th & gt; & lt;td & gt;trombone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Fergus McCreadie & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Joe Williamson & lt;/th & gt; & lt;td & gt;electric guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Mark Hendry & lt;/th & gt; & lt;td & gt;electric bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Graham Costello & lt;/th & gt; & lt;td & gt;drums, percussion & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;?? ('a ca) & lt;/li & gt; & lt;li & gt;Eudaimonia & lt;/li & gt; & lt;li & gt;Legion & lt;/li & gt; & lt;li & gt;Iris & lt;/li & gt; & lt;li & gt;The Colossus & lt;/li & gt; & lt;li & gt;Circularity & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol start = & quot;7 & quot; & gt; & lt;li & gt;Impetu & lt;/li & gt; & lt;li & gt;Snowblind & lt;/li & gt; & lt;li & gt;Arrowhead & lt;/li & gt; & lt;li & gt;Ataraxia & lt;/li & gt; & lt;li & gt;Second Lives & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Graham Costello's STRATA Second Lives 180g LP (Vinyl)

$ 42.33 $ 43.19

& lt;header & gt; & lt;p & gt; & lt;strong & gt;First New Album In 5 Years On Double LP! & lt;br & gt; Custom Etching On 4th Side! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;In jazz's heyday era of the heady 60s and early 70s, these cats were behind some of the greatest releases of the genre, from Pharaoh Sanders' Karma to Charles Lloyd's Forest Flower. Collectively they've performed and recorded with the likes of Art Blakey, Herbie Hancock, and McCoy Tyner, Together they carry forth this legacy as The Cookers, one of the 21st century's foremost supergroups. & lt;/p & gt; & lt;p & gt;Look Out! is their first album in 5 years and the first to be recorded at Van Gelder's historic Englewood Cliffs studio. Featuring all original compositions, the music embodies the name of this illustrious ensemble - hot, hard-hitting soul jazz, full of momentum and fire. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; genuine all-stars & lt;footer & gt; -The Guardian & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Individually, they've been at the core of the post-bop jazz scene for decades. As a group, they've been thrilling audiences around the world for the past 5 years. & lt;footer & gt; -NPR & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; A dream team of forward-leaning hard-bop & lt;footer & gt; -The New York Times & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;3 sides of music & lt;/li & gt; & lt;li & gt;Band member's autographs etched on 4th side & lt;/li & gt; & lt;li & gt;Mastered by Caspar Sutton-Jones & amp; Darrel Sheinman at Gearbox Records & lt;/li & gt; & lt;li & gt;Mastered using all-valve Decca equalization & amp; Telefunken limiters & lt;/li & gt; & lt;li & gt;Lacquer discs cut on a Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head & lt;/li & gt; & lt;li & gt;Monitored on Audio Note equipment & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Billy Harper & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Donald Harrison & lt;/th & gt; & lt;td & gt;alto sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Eddie Henderson & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;David Weiss & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;George Cables & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Cecil McBee & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Billy Hart & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Disc 1 & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;The Mystery Of Monifa Brown & lt;/li & gt; & lt;li & gt;Destiny Is Yours & lt;/li & gt; & lt;li & gt;Cat's Out The Bag & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Somalia & lt;/li & gt; & lt;li & gt;AKA Reggie & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Disc 2 & lt;/h4 & gt; & lt;h5 & gt;Side C: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Traveling Lady & lt;/li & gt; & lt;li & gt;Mutima & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side D: & lt;/h5 & gt; & lt;p & gt;Etching & lt;/p & gt; & lt;/section & gt;